Programme Specification
BA English with Creative Writing
Academic Year 2024/25
A programme specification is required for any programme on which a student may be registered. All programmes of the University are subject to the University's Quality Assurance processes. All degrees are awarded by Queen's University Belfast.
Programme Title | BA English with Creative Writing | Final Award (exit route if applicable for Postgraduate Taught Programmes) |
Bachelor of Arts | |||||||||||
Programme Code | ENG-BA-CW | UCAS Code | Q3W8 | HECoS Code |
100320 - English studies - 100 |
ATAS Clearance Required | No | |||||||||||||
Mode of Study | Full Time | |||||||||||||
Type of Programme | Single Honours | Length of Programme |
Full Time - 3 Academic Years |
Total Credits for Programme | 360 | |||||||||
Exit Awards available | No |
Institute Information
Teaching Institution |
Queen's University Belfast |
School/Department |
Arts, English and Languages |
Quality Code Higher Education Credit Framework for England |
Level 6 |
Subject Benchmark Statements The Frameworks for Higher Education Qualifications of UK Degree-Awarding Bodies |
English (2015) |
Accreditations (PSRB) |
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No accreditations (PSRB) found. |
Regulation Information
Does the Programme have any approved exemptions from the University General Regulations N/A |
Programme Specific Regulations Each stage requires 120 CATS in English and Creative Writing. |
Students with protected characteristics N/A |
Are students subject to Fitness to Practise Regulations (Please see General Regulations) No |
Educational Aims Of Programme
This BA programme is designed to provide students with:
• the opportunity to acquire core knowledge and critical understanding of creative writing, within the context of a degree in English language, literature and creative writing that accords with the national English benchmarking statement;
• to enable students to develop an in-depth knowledge and understanding of the prevailing genres and practices of contemporary creative writing through intellectual and interactive enquiry;
• to encourage sophisticated intellectual enquiry and debate through practice-based collaboration with fellow students and academics from a range of creative disciplines;
• to provide a grounding in creative writing that will equip students with skills and knowledge appropriate to undertaking further vocational or academic study;
• to equip students to use their literary talents to the best of their ability, to develop as independent writers and self-reflective lifelong learners, entrepreneurs and employees;
• to encourage future generations of new writers;
• a university curriculum, in accordance with the national English benchmarking statement, that reflects the chronological, cultural, and generic diversity of English literary and language studies, drawing, where applicable, on the unique character of Northern Ireland, and taking advantage of a variety of critical and pedagogical approaches;
• a flexible curriculum that develops new areas of teaching in response to advances in scholarship, interests and abilities of staff members, and student feedback.
Learning Outcomes
Learning Outcomes: Cognitive SkillsOn the completion of this course successful students will be able to: |
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recognise and appreciate the varying effects of different literary and linguistic forms of expression; |
Teaching/Learning Methods and Strategies Class discussion in which analysis and interpretation of texts takes place allows the students to develop a comparative understanding of different approaches to material. It allows for both tutor- and student-led opportunities for the discussion and comprehension of directed reading and secondary source information. Methods of Assessment Progress through the degree is one in which the autonomous learning undertaken by students is gradually increased, from lecture/tutorial based teaching at stages 1 and 2, to student-centred learning, through 2- or 3-hour seminars, at stage 3. |
Learning Outcomes: Knowledge & UnderstandingOn the completion of this course successful students will be able to: |
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analyse critically creative processes, projects and interactions from a range of perspectives; |
Teaching/Learning Methods and Strategies Knowledge and understanding are developed through lectures, tutorials, seminars (many of which will be enhanced by learning aids such as hand-outs, and key readings available online through Queen’s Online) and through the assessment and feedback process. Methods of Assessment A range of assessment methods ensures that these skills are evaluated in different ways. |
Learning Outcomes: Subject SpecificOn the completion of this course successful students will be able to: |
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able to read and respond to the work of other writers with a greater understanding of formal and structural properties; |
Teaching/Learning Methods and Strategies Knowledge and understanding are developed through lectures, tutorials, seminars (many of which will be enhanced by learning aids such as hand-outs, and key readings available online through Queen’s Online) and through the assessment and feedback process. Methods of Assessment Assessment is by a variety of methods, including timed unseen written examinations, essays, a compulsory dissertation, portfolios, self-reflective commentaries, individual and group presentations, and seminar reports and contributions. While these teaching and assessment methods deliver information to students and test their knowledge of that information in each subject, students are encouraged to assimilate and apply knowledge on their own terms and to become independent, self-reflective learners. |
Learning Outcomes: Transferable SkillsOn the completion of this course successful students will be able to: |
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manage time efficiently and effectively; |
Teaching/Learning Methods and Strategies Class presentations and student interaction hone communication and rhetorical skills. Student centred learning situations encourage and test the ability to present and summarise knowledge to their peers in a coherent, structured form, and inter-personal skills are developed in seminars and tutorials. Methods of Assessment Writing skills tutorials and lectures develop essay writing on stylistic, rhetorical and bibliographical levels. The ability to source and collate information is developed through introductory training in the use of libraries and online resources. IT courses are available through the university and can be used to develop computing skills as required. All students are required to word-process essays, thus testing their acquisition of IT skills. |
display interpersonal skills and the ability to work productively in a group context; |
Teaching/Learning Methods and Strategies At all stages there are modules which offer a mix of individual and collaboratively produced presentations. Methods of Assessment Individual and group presentations; learning portfolios and coursework projects are embedded in modules across the programme. |
understand the role and use of feedback in assessing and improving performance; |
Teaching/Learning Methods and Strategies Students receive online feedback on their uploaded assignments and may seek further feedback in one-to-one meetings with tutors. Methods of Assessment Feedback (on Queen’s Online, on draft materials, or in class) provides students with an ongoing feedback experience throughout their degree. |
Module Information
Stages and Modules
Module Title | Module Code | Level/ stage | Credits | Availability |
Duration | Pre-requisite | Assessment |
|||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
S1 | S2 | Core | Option | Coursework % | Practical % | Examination % | ||||||
Adventures in the History of Ideas | ENG1008 | 1 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
English in Transition | ENG1001 | 1 | 20 | YES | -- | 12 weeks | N | YES | -- | 100% | 0% | 0% |
Introduction to Creative Writing | ENG1090 | 1 | 20 | -- | YES | 12 weeks | N | YES | -- | 100% | 0% | 0% |
Writing from 21st Century Ireland | ENG1009 | 1 | 20 | YES | -- | 12 weeks | N | -- | YES | 80% | 20% | 0% |
Introduction to English Language | ENL1001 | 1 | 20 | YES | -- | 12 weeks | N | YES | -- | 100% | 0% | 0% |
Issues in Contemporary Fiction: Gender, Race, Ecology | ENG1002 | 1 | 20 | -- | YES | 12 weeks | N | YES | -- | 100% | 0% | 0% |
Utopia / Dystopia: The Future in Nineteenth- and Twentieth-Century Literature | ENG2065 | 2 | 20 | -- | YES | 12 weeks | N | -- | YES | 90% | 10% | 0% |
Fiction and the Novel (1660-1820) | ENG2061 | 2 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Modernism and Modernity | ENG2060 | 2 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Romantic Poetry, 1789-1832 | ENG2063 | 2 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Modern American Fiction: Race, Class, Gender, Sexuality | ENG2173 | 2 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Gender, Culture, and Representation – Backwards & in Heels | AEL2001 | 2 | 20 | YES | -- | 12 weeks | N | -- | YES | 60% | 40% | 0% |
Adaptation as Interdisciplinary Practice | AEL2002 | 2 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Havoc and Rebellion: Writing and Reading Later Medieval England | ENG2041 | 2 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Radio Drama | DRA2014 | 2 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Enlightenment and its Discontents | ENG2064 | 2 | 20 | -- | YES | 12 weeks | N | -- | YES | 90% | 10% | 0% |
Dickens and the Cult of Celebrity | ENG2066 | 2 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
History of English: Studying Language Change | ENL2004 | 2 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Language and Power | ENL2002 | 2 | 20 | -- | YES | 12 weeks | N | -- | YES | 80% | 0% | 20% |
Foundations for Speech Analysis: The Phonetics of English | ENL2001 | 2 | 20 | YES | -- | 12 weeks | N | -- | YES | 70% | 30% | 0% |
An Introduction to Critical and Cultural Theory | ENG2000 | 2 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Shakespeare and Co | ENG2050 | 2 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Mapping the Anglo-Saxon World | ENG2003 | 2 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Principles of Business in Arts, Cultural and Creative Industries | SCA2002 | 2 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Irish Literature | ENG2081 | 2 | 20 | -- | YES | 12 weeks | N | -- | YES | 80% | 20% | 0% |
Creative Writing Prose | ENG2093 | 2 | 20 | YES | -- | 12 weeks | N | YES | -- | 100% | 0% | 0% |
Creative Writing Poetry | ENG2092 | 2 | 20 | -- | YES | 12 weeks | N | YES | -- | 100% | 0% | 0% |
Creative Writing Drama | ENG2091 | 2 | 20 | YES | -- | 12 weeks | N | YES | -- | 100% | 0% | 0% |
Stevens & Bishop | ENG3333 | 3 | 20 | -- | YES | 12 weeks | N | -- | YES | 80% | 20% | 0% |
Writing Africa: The Colonial Past to Colonial Present | ENG3185 | 3 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
3 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% | ||
Representing the Working Class | ENG3064 | 3 | 20 | YES | -- | 12 weeks | N | -- | YES | 90% | 10% | 0% |
Irish Gothic | ENG3330 | 3 | 20 | -- | YES | 12 weeks | N | -- | YES | 80% | 20% | 0% |
Restoration to Regency in Contemporary Fiction | ENG3090 | 3 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Contemporary Irish and Scottish Fiction Devolutionary Identities | ENG3060 | 3 | 20 | YES | -- | 12 weeks | N | -- | YES | 80% | 20% | 0% |
Adaptation as Interdisciplinary Practice | AEL3007 | 3 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Love Across the Divide: Northern Irish Literature and Culture 1968-Present | ENG3187 | 3 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Work-based Learning | AEL3001 | 3 | 20 | YES | YES | 24 weeks | N | -- | YES | 100% | 0% | 0% |
Stylistics: The Language of Literature | ENL3011 | 3 | 20 | -- | YES | 12 weeks | N | -- | YES | 80% | 20% | 0% |
Double Dissertation Creative Writing | ENH3000 | 3 | 40 | YES | YES | 24 weeks | N | YES | -- | 100% | 0% | 0% |
Language in the Media | ENL3004 | 3 | 20 | YES | -- | 12 weeks | N | -- | YES | 80% | 20% | 0% |
Televising the Victorians | ENG3069 | 3 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Speech Worlds: Phonological Acquisition, Variation and Disorder | ENL3003 | 3 | 20 | YES | -- | 12 weeks | N | -- | YES | 90% | 10% | 0% |
Shakespeare on Screen | ENG3087 | 3 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Literature and Science in the Nineteenth Century: Evolution, Degeneration, and the Mind | ENG3097 | 3 | 20 | YES | -- | 12 weeks | N | -- | YES | 90% | 10% | 0% |
Marvels, Monsters and Miracles in Anglo-Saxon England | ENG3011 | 3 | 20 | -- | YES | 12 weeks | N | -- | YES | 90% | 10% | 0% |
Special Topic in Irish Writing | ENH3020 | 3 | 20 | -- | YES | 12 weeks | N | -- | YES | 80% | 20% | 0% |
Special Topic in Creative Writing | ENH3019 | 3 | 20 | -- | YES | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Contemporary Indian Literature in English | ENG3070 | 3 | 20 | YES | -- | 12 weeks | N | -- | YES | 100% | 0% | 0% |
Renaissance Performance, Gender, Space | ENG3181 | 3 | 20 | -- | YES | 12 weeks | N | -- | YES | 90% | 10% | 0% |
Notes
Stage 1
Students at Stage 1 must take the 4 core modules (80 CATS) plus 40 CATS of electives from an approved range of Faculty optional modules across subject areas.
Stage 2
Students at Stage 2 must take at least two of the core modules - ENG2091, ENG2092, ENG2093 plus 60/80 CATS from the optional modules or Faculty elective modules.
Stage 3
Students at Stage 3 must take ENH3000 (40 CATS) plus 80 CATS of optional modules.