Students undertaking English and History at Queen’s explore literature, language and history in the widest possible sense. From the earliest writings in Anglo-Saxon to contemporary Irish, British, and ‘global’ literatures; from the origins of ancient Greece and Rome to modern Irish, European, American and Chinese history, students study English in its linguistic, historical and ideological circumstances and in History can choose modules that focus on gender, social and cultural history, colonial history, politics, religious and economic change.
English Studies at Queen’s has an extraordinary heritage, as represented by its globally esteemed writers, such as Nobel Laureate Seamus Heaney and T.S. Eliot Prize recipients Paul Muldoon and Ciaran Carson, among others.
English and History highlights
Global Opportunities
English at Queen’s offers a range of Study Abroad opportunities, from the Erasmus programme with a range of European partners, to the chance to study at a number of partner institutions in the United States.
We welcome applications from European students who would like to attend Queen’s under the Erasmus programme. This programme enables students who are already enrolled at a university in Europe to take time out from their own institution and spend either one semester or a full academic year at Queen’s.
We regularly consult and develop links with a large number of employers including, for example, BBC Northern Ireland as part of our work-based learning initiatives. Several History modules include links with local collaborative partners, which provide students with opportunities to network with experts in the field or to gain experience of particular industries prior to graduation. Internships have also been developed to allow students the opportunity to carry out work experience in history-related fields.
World Class Facilities
Top Ranking: English at Queen’s has been placed in the QS World University Rankings top 100 English departments in the world for 2019 with History placed in top 150 History departments in the world for 2019. Research-led Teaching: the 2014 Research Excellence Framework (REF) confirmed that both English and History at Queen’s are producing world-leading or internationally excellent research, placing Queen’s in the top 10 of UK history departments.
Internationally Renowned Experts
Professor Mark Burnett is a leading scholar of the place of Shakespeare in the contemporary arts and is director of the Kenneth Branagh Archive.
Dr Marilina Cesario is an expert on Anglo-Saxon science and collaborates widely with astrophysicists in reassessing our understanding of pre-modern scientific thinking.
Professor Philip McGowan is President of the European Association for American Studies (2016-2020) and sits on the Executive Board of the F. Scott Fitzgerald Society.
Dr Edel Lamb is an international expert on early modern child theatre companies and is currently developing a project on theatre rivalry and riots in Shakespeare’s London.
Dr Gail McConnell explores the interface of literature and voice in her role as co-director of the AHRC-funded ‘Listening to Voices: Creative Disruptions with the Hearing Voices Network’ project.
Dr Alex Murray’s monograph on the Italian philosopher Giorgio Agamben (2010) has been translated into Turkish, Japanese and Chinese and his latest book Landscapes of Decadence: Literature and Place at the Fin de Siècle appeared in 2016 from Cambridge University Press.
Professor Glenn Patterson is the Rooney Prize and Betty Trask Prize-winning author of ten novels. He writes regularly for BBC Radio Three and Four, The Guardian and has made a number of documentaries for Irish and British television. His co-authored screenplay for Good Vibrations was nominated for a BAFTA for Outstanding Debut by a British Writer, Director or Producer.
Student Experience
From Personal Tutors to peer mentoring, we work closely with students to ensure they are supported at every stage of their degree.
A thriving cultural scene organised by our undergraduate and postgraduate communities, from the English Society and Poetry and Pints to the Lifeboat and the Yellow Nib, makes studying English at Queen’s a unique proposition. https://www.facebook.com/QubEnglishSociety
Students can work with our visiting Fulbright Scholars, leading US academics who spend a semester at Queen’s each year. The National Student Survey results show consistent student satisfaction with the English and History programme and university experience.
Further Study Opportunities
Students can apply for cognate postgraduate taught modules in the Faculty such as: MA in English Literary Studies, MA in Poetry: Creativity and Criticism, MA in Creative Writing, MSc in Software Engineering (conversion course), MA in Law (conversion course), PGCE in Education. Alternatively, we offer a research-led MRes in Arts and Humanities.
Internationally Renowned Experts
Nick Laird, the Seamus Heaney Professor of Poetry at the Seamus Heaney Centre, is a recipient of the Betty Trask and Eric Gregory Awards, whose most recent collection is Feel Free (Faber, 2018). He is a regular contributor to The New Yorker and the New York Review of Books.
Student Testimonials
"I am so grateful that I spend each day studying what I love under the watchful gaze of experts in the fields of literature that really inspire my thirst for knowledge, in an environment so welcoming that I am proud and comfortable to truly speak my mind and share my opinions. As clichéd as it may be (and though this notion may be shunned in the art of creative writing!), the community of QUB English really is one big supportive family. I employ not one ounce of hyperbole when I say that choosing to study English at Queen’s was the greatest decision I ever have (and probably ever will) make in my life."
Niamh Lundy
BA English Graduate
“On starting English Literature degree in 2015, I never thought that I'd be dreading final year just for the fact I wouldn't be a part of English at Queen’s anymore. I've had the chance to study such a breadth of prose, poetry and drama across all sorts of periods under some of the most fantastic lecturers. Probably my favourite aspect of studying at Queen's is the community and friends that I've made within English. From being able to attend my lecturers' research seminars to peer mentoring first years, it feels like a (fantastically literary) family and I feel I couldn't have made a better choice.”
Micheal McCann
BA English and Creative Writing Graduate
"When I started at Queen's it was just another institution to me. Classes to attend, assignments to submit. However, over the course of my degree, Queen's opened up a whole new world to me. I chose a Joint Honours programme that allowed me to study English and Sociology. I had the chance to study the greats in English - Oscar Wilde, Shakespeare, Virginia Woolf, and then turn to Sociology to study gender equality, human rights, how to challenge societal norms, and that is only the tip of the iceberg.
My subjects are fascinating, my lecturers make them come to life, and the amazing friends I have made here make it so much more than just any other institution. For me, all of the above make Queen's home."
In their first year students undertake 3 modules in each subject, which introduce key concepts in English language, literature, and History. They will also develop critical and writing skills necessary in order to make the transition to study at university level.
Stage 2
In their second year, students select from modules exploring literatures in English; they will learn to situate literature within its specific historical contexts. Students can choose complementary History modules, or select from a wide range that will allow them to develop their interests.
Stage 3
In Year 3 students can select from a wide range of English and History modules which are rooted in staff research expertise. They may also opt to undertake a dissertation (in English or History). Students can also elect to take a work based learning module.
9 (hours maximum) 5 at Stage One, at Stage Two and Three, English students have 3hrs contact time per module per week
Large Group Teaching
9 (hours maximum) 5 at Stage One, at Stage Two and Three, English students have 3hrs contact time per module per week
Personal Study
15 (hours maximum)
Learning and Teaching
At Queen’s, students work in an ambitious learning environment that embeds intellectual curiosity, innovation and best practice in learning, teaching and student support to enable students to achieve their full academic potential.
On the English and History degree we do this by providing a range of learning experiences which enable our students to engage with subject experts, develop attributes and perspectives that will equip them for life and work in a global society and make use of innovative technologies and a world class library that enhances their development as independent, lifelong learners. Examples of the opportunities provided for learning on this course are:
E-Learning
Information associated with lectures and assignments is often communicated via a Virtual Learning Environment (VLE) called Canvas. A range of e-learning experiences are also embedded in the degree through, for example: interactive group workshops in a flexible learning space; IT and statistics modules; podcasts and interactive web-based learning activities; opportunities to use IT programmes associated with design in project- based work, etc. on modules such as Digital Textualities and the History of the Book and Family, Gender and Household.
Lectures
introduce basic information about new topics as a starting point for further self-directed private study/reading. Lectures also provide opportunities to ask questions, gain some feedback and advice on assessments (normally delivered in large groups to all year group peers).
Personal Tutor
Undergraduates are allocated a Personal Tutor during Level 1 and 2 who meets with them on several occasions during the year to support their academic development.
Self-directed study
This is an essential part of life as a Queen’s student when important private reading, engagement with e-learning resources, reflection on feedback to date and assignment research and preparation work is carried out.
Seminars/tutorials
Significant amounts of teaching are carried out in small groups (typically 10-20 students). These provide an opportunity for students to engage with academic staff who have specialist knowledge of the topic, to ask questions of them and to assess their own progress and understanding with the support of peers. You should also expect to make presentations and other contributions to these groups.
Supervised projects
In final year, you may choose a year-long double-weighted Dissertation module which requires you to carry out a significant piece of research on a topic that you have chosen. You will receive support from a supervisor who will guide you in terms of how to carry out your research and will provide feedback to you on at least 2 occasions during the write up stage.
Assessment
Details of assessments associated with this course are outlined below:
Assessments are designed to evidence your engagement with the learning objectives of each module, which will be advertised in advance of module selection. Modules are assessed variously through project work, individual and/ or group presentations, as well as more traditional written essays and assignments. Details of how each module is assessed are shown in the Student Handbook which is provided to all students during their first year induction.
Feedback
As students progress through their degree at Queen’s, they will receive general and specific feedback about their work from a variety of sources including lecturers, module co-ordinators, placement supervisors, personal tutors, advisers of study and peers. University students are expected to engage with reflective practice and to use this approach to improve the quality of their work. Feedback may be provided in a variety of forms including:
Feedback provided via formal written comments and marks relating to work that you, as an individual or as part of a group, have submitted.
Face to face comment. This may include occasions when you make use of the lecturers’ advertised “Feedback and Guidance hours” to help you to address a specific query.
Placement employer comments or references.
Online or emailed comment.
General comments or question and answer opportunities at the end of a lecture, seminar or tutorial.
Pre-submission advice regarding the standards you should aim for and common pitfalls to avoid. In some instances, this may be provided in the form of model answers or exemplars which you can review in your own time.
Feedback and outcomes from practical classes.
Comment and guidance provided by staff from specialist support services such as Careers, Employability and Skills or the Learning Development Service.
Once you have reviewed your feedback, you will be encouraged to identify and implement further improvements to the quality of your work.
The information below is intended as an example only, featuring module details for the current year of study (2024/25). Modules are reviewed on an annual basis and may be subject to future changes – revised details will be published through Programme Specifications ahead of each academic year.
This module is envisaged as introducing students to literary interpretation as conceived by English studies at university level. It aims to provide students with critical skills and technical vocabulary necessary to study poetry and prose for the rest of their degree. The module focuses on a small selection of texts designed to help students make the transition from the critical strategies used at A-level to those of academic English. In turn, the two sections of the module include contributions from the Heaney Centre and creative writing colleagues and the mode of assessment will allow for reflective development of writing skills through resubmission of formative writing for summative assessment.
Learning Outcomes
At the end of this module students will have learned to read and analyze poetry and prose using the techniques, vocabularies and approaches of contemporary academic English studies. They will have made the transition from reading and writing at A-level, having learned the research skills and critical terminologies necessary for the close, contextual reading of prose and poetry and writing about both genres in a suitably academic register. They will be equipped to undertake advanced study of literary works in semester two modules.
Skills
Students will learn to develop: critical and analytical skills; methods of textual analysis appropriate to the genres of poetry and prose; writing and research skills appropriate to degree-level English; oral presentation skills; independent study skills; and an ability to collaborate and work in groups; the ability to read and prepare for weekly lectures and tutorials.
Issues in Contemporary Fiction: Gender, Race, Ecology
Overview
This module examines a broad sample of recent fiction. In doing so, it raises a set of related questions: 1) whose contemporary experience does this literature address? 2) what economic or political factors lead to a shared sense of the contemporary? 3) how does modern fiction relate to these broader social forces?
The module has a three-part structure. Part 1 examines the ways in which contemporary fiction responds to and in turn shapes debates about gender and gender difference. Section 2 analyses literary treatments of race and the aftermaths of colonialism. The final section of the module explores the ways in which recent fiction speculates on our collective future especially in the context of climate change and the threat of ecological catastrophe and asks what if anything can be done in the face of this threat.
Learning Outcomes
At the end of this module students will have gained a general understanding of the theoretical and methodological issues that surround the study of contemporary literature. Students will have learned to subject a range of recent fiction to a technical or formal analysis. They will also be able to read texts in context and will have a basic understanding of the social, economic, and political forces that shape these contexts.
Skills
Students will learn to develop a) analytical skills b) methods of textual analysis c) an understanding of meta-critical issues d) a clear and succinct writing style e) oral presentation skills f) a capacity for independent inquiry g) an ability to collaborate and work in groups h) computer skills.
This module allows students to study a closely-defined area of history. They will choose from a range of courses offered by History staff and will study one topic in detail. Each course is designed as a significant area of study in its own right, and as a means of developing in depth some of the issues of historiography and method that students will encounter over their course of studies in History at Queen's. Particular emphasis is placed on essay writing at university level.
Learning Outcomes
On completion of this module, students should be aware of the range of approaches that have been used to study the past. They should be able to demonstrate knowledge of a particular historical case study and how it has been debated amongst historians. They should also be aware of the links between historical research and methodological/theoretical frameworks.
Skills
Ability to think critically, reason logically, and evaluate evidence; develop communication skills, both written and oral; an ability to work independently; the ability to use and interpret a range of sources.
This module offers a broad introduction to key topics in English language. It lays the foundations for the systematic study of the language in all its diversity. Among the topics covered are: common beliefs about “good” and “bad” accents and dialects; phonetics, syntax and morphology; and the social, situational and geographical variation in language, with an emphasis on the history and development of the English language. Another important area of inquiry is how language works in cultural contexts and intersects with issues of power and gender. In summary, the module enables students to move beyond ‘common-sense’ ideas about language towards the academic and analytic perspective appropriate for university level.
Learning Outcomes
On successful completion of this module, students will have become aware of the levels of structure which make up the spoken and written varieties of a language, the communicative functions of these levels, and of the relevant descriptive and analytical frameworks to analyse and describe them, with regard both to present-day English and to stages in its historical development. Students will also have gained the skills for the confident oral delivery of some of the issues and topics addressed on the Course.
Skills
While Units One and Two focus on theoretical and analytical concepts and frameworks, Units Three and Four provide case studies from ‘real-world’ contexts such as the media and the historical development of the English language, to which students will apply the skills they have gained in Units One and Two. The module incorporates online assessment for Units One and Two, which will account for 30% of the mark and will take the form of online exercises, to be completed by students in weeks 3-6. Units Three and Four will be assessed at the end of the semester as essay assignments, worth 70% in total. Students will write two essays of 1400-1700 words each: one essay will address the issues covered in Unit Three (35%), and the other essay will address the issues covered in Unit Four (35%).
This module allows students the chance to enrich their understanding of historical methods, theories and themes via a closely defined case study. Students will choose from a range of course offered by History staff and will study one topic in detail. Each course is designed as a significant area of study in its own right, and as a means of developing in depth some of the issues of historiography and method that students will encounter over their course of studies in History at Queen's.
Learning Outcomes
On completion of this module, students should be aware of the range of approaches that have been used to study the past. They should be able to demonstrate knowledge of a particular historical case study and how it has been debated amongst historians. They should also be aware of the links between historical research and methodological/theoretical frameworks.
Skills
Ability to think critically, reason logically, and evaluate evidence; develop communication skills, both written and oral; an ability to work independently; the ability to use and interpret a range of sources.
The module engages in a close examination of three case studies: these may include The Fall of Rome, the Crusades, European colonialism and decolonisation, the Partition of India, and Genocide in Rwanda. Each has proven controversial not just because of the historical incidents themselves, but also the variety of historical interpretations that have been placed on them and the way these events are remembered.
Each case study provides an opportunity to discuss questions about the nature of historical truth, the method of writing history, and the contemporary importance of history. It challenges preconceptions about what “facts” are, and stimulates awareness of the diverse ways in which the past can be analysed. While each part of the module relates to a distinctive geographical region, the three case studies share common features in that their historical significance reverberates in the contemporary world and fashions the identities of nations and communities even today. The different sections thus complement each other to demonstrate the ways in which the past continues to shape the present and the role that history can play in either perpetuating conflict or conversely in promoting intercultural understanding.
Students are thus encouraged to compare the different historical case studies rather than study each discretely as they raise similar fundamental questions about how history is understood and practiced, and how events unfold, are written about, and eventually remembered.
Learning Outcomes
On completion of this module, students should be aware of a range of theoretical and methodological approaches that have been used to study the past. They should be able to demonstrate knowledge of case studies in a number of historical areas and, in doing so, be aware of the important links between empirical historical research and methodological/theoretical frameworks. They will be aware that different theoretical, methodological or ideological approaches can and do produce competing conclusions. They will become familiar with historical writing in a range of forms that take them beyond the textbook (articles, monographs, edited collection and - where appropriate - approved websites). They will also be introduced to the ways history is represented in other media, including cinema and literature. They will be introduced to different methods of disseminating history to scholars and the wider public, both written and audio-visual, and will produce their own public history output, as part of the assessment.
By the end of the module, they will have gained an awareness of the debates pertaining to the ways that these difficult histories should be taught, or represented in museums. In this respect, students will gain an awareness of how these events are represented or re/presented to the public. They will further gain understanding as to how narratives pertaining to these episodes continue in the contemporary world to shape how nations, “tribes”, religious communities define themselves in relation to “others”.
Skills
Students should develop skills in literacy; oral communication; the organisation of logical arguments; basic bibliographic research; effective presentation of written work.
The aim of the module is to introduce level 1 students to the concept and the scholarly debates that surround the term revolution. It does so by examining four examples of revolutions, which may include the Consumer Revolution, the Industrial Revolution, the French Revolution, and the Revolution of the 1960s. By doing so, it will raise broader questions about what causes historical change, the interplay between long-term trends and short-term turning points, and the role of individuals. The module will also introduce students to the importance of small group teaching at university and the importance of individual contribution to tutorials. This will be done through an individual presentation, a structured response to presentations from other students, and a short student reflection on the theory and practice of small-group teaching.
Learning Outcomes
An understanding of the concept and the scholarly debates that surround the term revolution; An ability to engage with the most important historiographical debates relating to the subject-matter of the module; Effective presentation and oral communication skills; The ability to contribute effectively and courteously to class debates and discussions; An ability to write an informed analysis of historical problems discussed in the module; Enhanced ability to think critically, reason logically, and evaluate evidence; An ability to reflect on learning experience.
A World on the Move:Historical and Anthropological Approaches to Globalization
Overview
This modules provides an anthropological introduction to the study of globalisation, using comparative case studies from the contemporary and the historical record, and outlining links with perspectives in the field of history. Among the issues discussed are: global and local linkages in a world of economic, cultural and political connectivity; cultural convergence and the expression of cultural difference; migration, refugees, trafficked people, tourism; diasporas, the idea of home and national borders; transnational family networks in the contemporary world; global and local regimes of power and resistance.
Learning Outcomes
On completion of this module, student should be aware of the complex ways in which globalising forces have influenced people's everyday experiences in different socio-cultural settings and changing historical contexts.
Skills
Students should develop skills in literacy; oral communication; the organisation of logical arguments; effective presentation of written work; and teamwork.
A systematic introduction to ways in which history is used outside the university campus, including in museums and exhibitions, film, memorials and political discussion. The course will involve visits to local museums and students will get a chance to work together to pitch a new public history project. Previous projects have included public exhibitions, new museums or digital apps. The module focuses on the history of race, ethnicity, slavery, colonialism and anti-colonialism and their representations in pubic history.
Learning Outcomes
Students who successfully complete the module should • Be able to demonstrate an understanding of the role of academic history within society; • Be able to present historical information systematically and in accordance with normal
academic practice; • Be able to demonstrate an understanding of the requirements of effective group work • Have identified a dissertation topic and be able to demonstrate an ability to place it in its broad historiographical context.
Skills
Working in groups; oral communication skills, public history theory.
This module aims to map the world of the Anglo-Saxons through their language, literature and material culture. Students will learn about the heroic past and values of the Anglo-Saxons, magical rituals and prognostications, and systems of faith and beliefs. A fascinating range of texts and genres from the period (c. 7th-11th centuries) will be studied in relation to their cultural context and audience. These include: heroic poetry; elegies; riddles, charms and prognostications; historiography; and biblical writings. Students will engage with selected texts in the original language and consider issues of literary interpretation and translation. They will also be introduced to concepts of authorship, gender, genre, time, health, self, otherness and religion. Students will become familiar with the basics of Old English literary and religious vocabulary and acquire a working knowledge of the Old English manuscript tradition.
Learning Outcomes
To introduce the study of Old English; to introduce the world of Anglo-Saxon literature and culture.
Skills
Having completed the module, students should have acquired the basics of Old English grammar and poetics, the ability to translate and discuss critically selected Old English texts and to relate texts to their cultural and historical contexts.
Havoc and Rebellion: Writing and Reading Later Medieval England
Overview
From the Black Death to the Uprising of 1381; from the usurpation and murder of King Richard II to the Oldcastle Rebellion of 1414; from the rise of the Lollard heresy to the Wars of the Roses – how did late medieval writing, from Chaucer’s The Canterbury Tales, Langland’s Piers Plowman, and Gower’s Vox Clamantis, to the work of a range of anonymous poets, dramatists, and chroniclers, respond to several decades of tumultuous social and cultural change? This module introduces students to the vibrancy and vitality of a crucial period in the history of English writing, and it explores the methodological challenges of reading literature historically. Students will engage with key historicist readings of the period’s literature and will consider literature in its material circumstances with reference to online facsimiles of key manuscript books, as well as the museological presentation of the period’s material culture. The key genres, conventions and preoccupations of the period will be explored in relation to the explosive social mobility that followed the devastation of the Black Death. The module will conclude on the eve of the coronation of Henry VIII, when it was assumed that the political and religious tumult of the ‘calamitous fourteenth century’ had finally been settled.
Learning Outcomes
Having completed this module, students will have developed an appropriate knowledge and understanding of late medieval literature and culture (c.1370-1509). They will have learned to address the challenges of reading literature in its historical contexts, and become familiar with the central tenets of historicist critical practice. They will have learned to interrogate critically the re-presentation of texts and artefacts from the Middle Ages in online archival and museological contexts. They will have learned to reflect critically on the idea of the Middle Ages itself and on questions of historical periodisation in general.
Skills
Having completed this module students will be able to:
• Analyse late medieval literature, paying attention to the relationship between texts and contexts assumed by historicist modes of reading.
• Demonstrate understanding of the complex relationship between literary forms and socio-political transformations.
• Situate the literature of this period in the contexts of its influence on literary ideas and modes of transmission, such as authorship and printing, that will be of critical importance to later periods
• Demonstrate enhanced digital capabilities, both in terms of using digital repositories and in working collaboratively on a digital project for assessment.
This module introduces students to the literature and culture of the period 1900-1930, with a focus on the literary movements grouped under the term ‘modernism’. These literary texts will be examined as complicated and ambivalent responses to the experience of modernity. Students will cover key figures of British and Irish ‘High Modernism’, including James Joyce, Virginia Woolf and T.S. Eliot, alongside American modernists and writers of the so-called ‘middle brow’. Particular attention will be paid to the historical contexts in which these texts were produced, and on their conditions of publication and consumption. These contexts include: the aftermath of the Great War; gender politics, from the New Woman to Suffrage and beyond; the politics of race; terrorism and violence; queer sexualities; urban decay and urban development; the relationship between cultural centres and peripheries; poetry and its publics; American cultural politics; media, and the rise of youth cultures. More broadly, the modules will explore theories and manifestations of ‘modernity’, examining the challenges of modern technologies and social formations to literary practice.
Learning Outcomes
Having completed this module, students will have developed an appropriate knowledge and understanding of the literature of modernity. They will be able to read a variety of texts from the period 1900-1930, including novels, poems, short stories, novellas, and periodical essays. Students will be able to read these texts in relation to a number of contexts, including political, social, and cultural developments. They will also develop the skills to read these texts with an eye to their formal complexity and ingenuity, tying this experimentation to the dynamic social contexts to which they responded. Students will be introduced to a number of digital resources that will encourage their independent research into the periodical publication of modernist works. Moreover students will be able to interrogate a number of dominant critical frameworks, including: those that have, until recently, elevated modernism above the broader literary culture of the period; those that diminish the influence of Victorian literature on modernism.
Skills
Having completed this module students will be able to:
• Analyse modernist literature in both a historical and critical context.
• Demonstrate an understanding of the complex relationship between formal literary innovation and social transformations.
• Examine the relationship between ‘high’ cultural forms and the so-called ‘middle brow’ works of the period.
• Explore how literary texts challenged dominant understandings of race, gender, and class.
• Demonstrate transferrable skills in the forms of critical thinking, group discussion, written communication, and individual academic research.
• Demonstrate advanced research skills, in particular the use of digital platforms to explore the nature of modernist periodicals.
This module introduces students to the intellectual arguments and counter-arguments of the period known as the Age of Enlightenment, running through the long eighteenth century and embodied in its literature. As an increasing emphasis on rationality as a means to human understanding came to challenge earlier forms of social and political legitimacy, attitudes to self and identity; science and religion; gender and sexuality; politics and government were significantly reformulated from the eighteenth century onwards, with literature and the arts reflecting and participating in the broad historical movement that this shift in thinking represented. We will introduce and debate some of these key ideas of the Enlightenment (or of the various forms of Enlightenment) in relation to the development of generic categories and poetic forms over the period. The module will be organized around a series of texts and debates implicated in significant cultural and historical developments such as the growth of individualism, consumerism, ideas of political liberty and rights, and of the nation and its overseas empire. The module will include selections of poetry and prose (including literary forms such as the periodical essay, life writings, the political pamphlet, and the novel) to be read in relation to contextual, literary-theoretical, and historical considerations. We will also examine revisionist responses to the Enlightenment, reflecting the interests of contemporary authors seeking to represent the marginalized or silenced voices of the period such as those of women, labouring classes, slaves, and colonial others.
Learning Outcomes
Students completing this module will have gained, through their engagement with literary texts and genres, an understanding of major Enlightenment ideas and their impact on historical development. They will be able to read and contextualize literature of eighteenth century in particular with regard to such ideas, and to discern their significance for contemporary literature and society. They will be able to distinguish and appreciate a diversity of genres and texts characteristic of the period, and to read and interrogate such genres and texts in a critical way. They will be introduced to major digital resources giving them the skills that will enable independent research should they wish to progress further in this area. Students will be equipped to debate political, religious and social issues in an informed way with regard to the emergence of such controversies, and their continued development in modern forms. Students will also be able interrogate constructions of the Enlightenment and to deconstruct its various claims from contemporary perspectives critical of its legacy for the modern world.
Skills
Students who have completed this module will be able to:
• Analyse literary texts with regard to the major intellectual debates and forms of knowledge generated by Enlightenment thinking.
• Debate various religious, social and political issues produced in literature relating to Enlightenment.
• Demonstrate research skills with regard to the use of digital platforms such as Eighteenth-Century Collections Online and British Periodicals with regard to the exploration of such topics.
• Show an understanding of formal and generic developments in literature with regard to intellectual history.
• Examine the ways in which literary texts are implicated in the emergence of dominant understandings of political and social discourses.
• Demonstrate transferrable skills in the forms of critical thinking, group discussion, written communication, and individual academic research.
This module explores the linguistic history of English from prehistoric times to the present day. Adopting a chronological approach and working always with reference to texts, it traces the development and use of the language through varieties of Old English, Middle English, Early Modern English and Present Day English. The key topics of the course, applied to each of the periods studied, are (i)internal features, examining underlying grammatical characteristics; (ii)external features, with particular reference to vocabulary; and (iii)transitional and sociolinguistic features, considering the social context of language change, paying attention to changing practices in language writing.
Learning Outcomes
This module should provide an informed understanding of the history of the English language and of language change, with reference to social and cultural factors; to increase students' analytical and descriptive abilities, enabling them to engage in linguistic analysis of texts from different periods and with different writing conventions.
Skills
Students who complete this module should be able to deomonstrate knowledge and understanding of the historical development of English, relating language to its socio-cultural context, and they should be able to apply that knowledge and understanding to particular texts, using analytical and descriptive skills.
Northern Ireland’s peace process, the legacy of conflict and enduring divisions present a range of ongoing challenges for politics and society. Drawing on expertise from across the School of History, Anthropology, Philosophy and Politics – combined with that of relevant practitioners, where possible – this interdisciplinary, team-taught module will examine a range of thematic challenges with respect to conflict, conflict transformation, peacebuilding, community relations, public representations of the past, and democratic governance. Rooted in the case of Northern Ireland, the module will also routinely consider broader comparisons with other cases and possible generalisation to other cases. It will be structured into three main parts. First, it will critically engage with Northern Ireland’s past. What were the underlying sources of division, and what can we learn about the complexities and nuances of identity over time? Second, it will explore how the past continues to interact with contemporary Northern Ireland. How is this past represented and understood in today’s public history landscape? Is it possible for Northern Ireland’s contested past to be publicly represented in ways that promote mutual understanding? Can Northern Ireland now be characterised as a ‘post-conflict’ region? Finally, the module will look ahead. Does the current political settlement represent a sustainable form of governance for the region? What do internal developments, such as demographic change, and external challenges, such as climate change, mean for Northern Ireland’s future? By critically engaging with these interrelated themes through relevant disciplinary perspectives, this module ultimately seeks to better understand contemporary Northern Ireland, the history that has shaped it, and the future directions that are possible.
Learning Outcomes
By the end of this module the successful student should be able to demonstrate in assessed essays, coursework and tutorial contributions:
- A familiarity with a range of topical issues and debates in Northern Ireland, including their historical roots, their contemporary political significance, and their relevance for the region’s future;
- An understanding of the Northern Ireland conflict and the peace process, including the factors that contributed to both;
- A critical appreciation of the challenges associated with conflict transformation, peacebuilding, community relations, public representations of the past, and democratic governance in a divided society from a variety of disciplinary perspectives in the humanities and social sciences;
- Awareness of the role that arts, culture, heritage and public engagement with the past can play in reducing political and social divisions;
- A heightened sense of the complexity of identity, politics and place in Northern Ireland.
Skills
Intellectual skills
• Managing & Prioritizing Knowledge: identify relevant and subject-specific knowledge; manage such information in an independent manner;
• Analytical Thinking: identify, understand, interpret and evaluate relevant subject-specific arguments made by others; construct independent arguments;
• Critical & Independent Thinking: ability to think critically and construct one’s own position in relation to existing and ongoing debates in the field.
Professional and career development skills
• Communication Skills: ability to communicate clearly with others, both orally and in writing;
• Teamwork: ability to work with others in a team, negotiate conflicts and recognize different ways of learning;
• Diversity: ability to acknowledge and be sensitive to the range of cultural differences present in the learning environment;
• Self-Reflexivity: ability to reflect on one’s own progress and identify and act upon ones own development needs with respect to life-long learning and career development;
• Time Management: ability to negotiate diverse and competing pressures; cope with stress; and achieve a work / life balance .
Technical and practical skills
• Information Technology: demonstrate the knowledge and ability to use contemporary and relevant ICT.
Organizational skills
• Efficient and effective work practice: demonstrate ability to work efficiently to deadlines;
• Clear organisation of information: show efficiency in the organisation of large amounts of complex information and the ability to identify, describe and analyse the key features of the information;
• Organisation and communication: demonstrate ability to use evidence to develop logical and clear argument; show aptitude for the effective use of information in a direct and appropriate way;
• Enterprising thinking: Demonstrate ability to think and argue in novel and enterprising ways, to display originality of thought and argument and the ability to clearly support arguments in innovative ways.
We are all familiar with people who have recently been quickly catapulted to the heights of fame and public attention. The status of such individuals is often associated with wealth and public exposure, and the rise of mass media makes it much easier for them to gain publicity and recognition instantly, across the world. But has it always been this way?
This module will examine the career and legacy of Charles Dickens, who was first recognised for his extraordinary creativity, in producing the works of literature for which he is best known. He was also, however, a careful and intelligent manipulator of his own public image, to the extent that the catchphrase ‘the man who invented Christmas’ survives to this day. By carefully scrutinising Dickens through fiction, journalism, letters, advertising, biography, photography, and film, students will come to understand just how ‘constructed’ this Victorian superstar was; they will also understand how the means he, his publishers, agents, and advisors, and his inheritors employed to develop and maintain his public image serve as forerunners for the phenomenon of celebrity culture in our own day.
Indicative set texts & other media:
Lee Barron, Celebrity Cultures: An Introduction (Sage, 2015)
Charles Dickens, Oliver Twist
Charles Dickens, A Christmas Carol
Charles Dickens, David Copperfield
Ralph Fiennes, The Invisible Woman (DVD 2013)
Bharat Naluri, The Man Who Invented Christmas (DVD 2017)
Michael Slater, Charles Dickens (Yale UP, 2011)
Learning Outcomes
Having completed this module, students will have developed an appropriate knowledge and understanding of the history of celebrity, and the role it has played in shaping cultural values. They will be able to read and engage critically with key Dickens novels from the 1830s-1850s, as well as with his journalism and letters. They will also be able to examine and perform critical assessments on other media that feature Dickens as the central figure, including film, photography, and advertising. Students will be able to analyse and interrogate the ways in which various media project the idea of celebrity in light of their target audiences, and will be able to assess the effects of the strategies employed.
Skills
Having completed this module you will be able to:
• Analyse Dickens’s literary texts in both historical and critical contexts.
• Demonstrate knowledge and understanding of the meaning of ‘celebrity’ and the role it has played in shaping cultural values
• Examine how textual and visual media have had an impact upon the development of celebrity
• Explore the construction of the author as a complex amalgam of creative ability and targeted media manipulation
• Demonstrate how celebrities become brands in their own right, and are used in marketing to promote products and services
• Demonstrate transferrable skills in the forms of critical thinking, group discussion, written communication, and individual academic research.
• Demonstrate advanced research skills, in particular the use of digital platforms to explore the nature of celebrity culture
Modern American Fiction: Race, Class, Gender, Sexuality
Overview
This module introduces students to some of the key American novelists, contexts and critical issues associated with the modern era, roughly interpreted as the first half of the twentieth century (c.1920-1950). It does not ignore the orthodox intellectual approaches to the era, namely that of the modern or modernism and how the representative fiction of the era sought to find new forms and languages suitable to the task of interrogating this modernity. However, rather than rehearsing old debates about national particularity, the “melting pot” and US exceptionalism, the focus of this module is the ways in which exemplary African-American, female, working class and gay novelists, as well as their white, male counterparts, sought to undo and re-write narratives of identity and belonging according to particularities of race, class, gender and sexuality. Particular attention is paid to the interplay between narratives of affirmation and negation (or ‘noir’). The module examines these axes of difference as multiple and overlapping, rather than mutually exclusive; hence the focus is on the narrative, formal and linguistic complexities thrown up the re-making of American fiction through the related and diverging prisms of class and race, for example, or gender and sexuality, or even in terms of race, gender, class and sexuality. A repeated concern of the module is whether or to what extent we can use US fiction of the era to trace and interrogate wider social and political challenges to dominant/normative understandings of the United States, modernity, capitalism, and national identity. The set texts reflect this heterogeneity in terms of the writers to be studied and in terms of the diversity of styles, forms and genres that make up American fiction of the era.
Learning Outcomes
Having completed this module, students will have developed an appropriate knowledge and understanding of modern American fiction (c. 1900-1950). They will be able to identify the ways in which representative novels of the era interrogate the modern era and the complex relationship between literary form, popular culture and modernism as organizing concepts. They will also be able to examine and reflect upon the complex ways in which dominant and singular narratives of national belonging are untold and reimagined according to the related and overlapping categories of race, class, gender and sexuality – and the implications of this for an understanding of “American” fiction. They will be able to offer close readings of this fiction according to its use of literary form and language and its thematizations of the urban, the modern, “noir”, capitalism, gender and sexuality and race and class. On completion of the module, students will be able to reflect upon the usefulness of fiction of the era to contest received or orthodox accounts of US political, social and economic life and potentially to intervene in this life for affirmative and/or politically progressive ends.
Skills
Having completed this module students will be able to:
• Analyse modern American fiction paying attention to theoretical/conceptual and contextual issues and develop close critical readings of a diverse range of fiction.
• Demonstrate understanding of the complex relationship between literary forms and socio-political transformations.
• Think about the synthesis and weighting of different, sometimes competing interpretations of literary texts.
• Reflect on the usefulness of race, class, gender and sexuality as organizing categories to interrogate the exemplary fiction of the era and its thematizations of US identities.
• Demonstrate transferrable skills in the forms of critical thinking, group discussion, written communication, and individual academic research
• Demonstrate digital literacy skills required to make a digital map, using relevant software programmes, relating to one of the set texts.
Alexander The Great and the Creation of the Hellenistic World
Overview
An analytical survey of ancient Mediterranean and Near Eastern history from the conquest of the whole of Balkan Greece by Philip II of Macedon, father of Alexander the Great, to the emergence of successor kingdoms within Alexander’s conquered territories after his death in 323 BC. After an introduction on sources and methodology, the course proceeds chronologically. Topics receiving special emphasis include: the rise, and the ultimate triumph, of Macedon over the Greek city-states; Alexander’s war against Persia and subsequent conquests; the fragmentation of Alexander’s empire after his death; and events in Sicily and the West (including the expansion of Rome in Italy).
Learning Outcomes
To apply objective historical methodology to a period of alleged decline in Greek history.
Skills
Skills of analysis and evaluation, in particular the organization and interpretation of widely scattered and fragmentary source material.
Students should develop knowledge of twentieth-century social history through a case-study of Belfast. By conducting their own interview, and analysing those conducted by the other members of the group, students should develop a working knowledge of the strengths and weaknesses of oral history as a research method and thus enhance their understanding of the broader methodological issues posed by research in modern social history. They should develop team-working skills (through collaborative research on their chosen topic), as well as their capacity for independent learning (through the conduct of one-to-one interviews and the transcription and analysis of those interviews). Oral presentational skills will be developed through reporting on work-in-progress in seminars. The module will, therefore, significantly enhance many of the skills related to the types of employment to which history graduates aspire, i.e. team-working, interpersonal skills, the ability to synthesize large bodies of information, and the compilation of written reports.
Learning Outcomes
On completion of this module, students should have acquired the following skills:
Team-working (through collaborative research on your chosen topic)
A capacity for independent learning (through the conduct of one-to-one interviews and the transcription and analysis of those interviews).
Oral presentational and interpersonal skills will be developed through reporting on work-in-progress in seminars and by carrying interviewing.
The ability to synthesize large bodies of information
The ability to compile professionally prepared written reports.
Skills
Taking Recording History should enable students to:
develop skills in the collection and analysis of primary sources
gain experience of project management
develop research skills
gain experience of pitching project ideas in a non-academic context
develop experience of the professional compilation and presentation of research results, including footnoting, referencing
Utopia / Dystopia: The Future in Nineteenth- and Twentieth-Century Literature
Overview
In the late nineteenth century, utopian literature met speculative fiction: the ‘nowhere’ of utopia was reimagined as the future, which was conceived as both the best and worst possible worlds. This course examines a variety of late nineteenth-century utopias and dystopias, but also shows the ways this imaginative tradition shaped literary prediction in the twentieth century (including works by Aldous Huxley, George Orwell and Margaret Atwood). It considers the ways twentieth-century writers both engaged with their literary predecessors and rewrote utopian and dystopian traditions to speak to the urgency of their own political moments. From the dangers and promises of science and technology to the future of feminism, socialism, race and mass culture, we will explore what utopias and dystopias reveal about their own historical moments, and analyze the claim that one person’s utopia is another’s dystopia.
Indicative selection of texts
Edward Bulwer Lytton, The Coming Race
H. G. Wells, The Time Machine
William Morris, News from Nowhere
Catherine Helen Spence, A Week in the Future
Charlotte Perkins Gilman, Herland
E. M. Forster, ‘The Machine Stops’
Aldous Huxley, Brave New World
George Orwell, 1984
Margaret Atwood, The Handmaid’s Tale
Learning Outcomes
At the end of this course, students will be able to analyze the evolving generic traits of political fantasy in the nineteenth and twentieth centuries, and will have gained an understanding of utopian, dystopian and speculative fiction as literary forms. They will be able to relate utopian and dystopian fiction to social debates and historical changes in the period in which it was produced (including debates over feminism, socialism, evolutionary biology and eugenics and the future of democracy and mass culture). They will be capable of analyzing the political function of utopian and dystopian literature, and the role of reading communities in the evolution of the genre. Students will be able to use their understanding of genre to reflect on continuities with as well as changes between late Victorian and twentieth-century literature.
Skills
• A demonstrable understanding of the relationship between the political and the literary, and an ability to see the relevance of debates generated by this ‘literature of ideas’ to the present as well as the past
• Transferrable skills in the forms of group discussion, ability to present material to peers and individual research and essay writing skills – the ability to synthesize texts and create a clear analytical argument
• The ability to interweave close and historical reading skills – a demonstrable awareness of the ways historical and cultural change shapes literary form within political fantasy from the nineteenth to the twentieth century
• Ability to apply theoretical and historical debates over genre (utopian and dystopian and speculative fiction) to a range of literary contexts
• An ability to show the ways fiction is shaped by reading communities as well as writers (including socialist and feminist readerships).
The Romantic period (c.1789-1832) witnessed dramatic social and historical change as the effects of major events such as the French Revolution, the Napoleonic Wars, widespread Enclosure and the Industrial Revolution initiated the sense of ‘living in history’. In the midst of these revolutionary changes, poets wrote with new confidence of the importance of the imagination, as a creative and utopian force; of the beauty, fragility and power of the natural world; of political ideals of social justice; of the arguments for gender equality. Poetry became synonymous with the imagination as a force which could unite idealism with social change. This module studies a range of Romantic poetry, including but not restricted to, the work of Anna Laetitia Barbauld, William Blake, Lord Byron, John Clare, Samuel Taylor Coleridge, Mary Robinson, Felicia Hemans, John Keats, Percy Bysshe Shelley, Charlotte Smith, and William Wordsworth. Poems will be studied through the key themes of the revolutionary imagination; the natural world; the language of class; representations of childhood; slavery and feminism. One hour of each week’s seminar time will comprise a close reading of one key poem for that week’s discussion, with the second hour being used for more generalized and broader discussion. The module will also include a specialised library visit and a field trip connected with the natural world.
Learning Outcomes
Students completing this module will have learned to read poetry in terms of its formal techniques and effects and to situate these interpretations in a range of contexts both historical and contemporary. They will be able to read and contextualize poetry of the Romantic period in particular, and to understand its significance for contemporary literature and society. They will be able to distinguish and appreciate a diversity of poetic genres and styles characteristic of the period, and to read and interrogate a range of diverse kinds of poetry in a critical way. Students will be equipped to debate political, aesthetic and social issues in an informed way with regard to their historical development, and their continued development in modern forms. Students will also be able to interrogate constructions of Romanticism and to deconstruct its various claims from contemporary perspectives both supportive and critical of its legacy for the modern world.
Skills
Students who have completed this module will be able to:
• Interpret a range of poems in ways which are attuned to their aesthetic effects and contextual meanings.
• Debate various aesthetic, social and political issues produced in poetry of the Romantic period.
• Show an understanding of formal and generic developments in poetry with regard to intellectual history.
• Examine the ways in which literary texts are implicated in the emergence of dominant understandings of political and social discourses.
• Demonstrate transferrable skills in the forms of critical thinking, group discussion, written communication, and individual academic research.
This module introduces students to the drama of the English Renaissance. It explores texts by a wide range of authors, including Shakespeare, Cary, Marlowe, Middleton, Rowley and Webster and examines the forces working on drama in the early modern period. Lectures will provide an introduction to the dramatic form, close readings of the set plays, and readings in relation to contemporary issues such as nationality, authority, desire, religion, sexuality, gender, strangeness, race, identity, social standing, fantasy, magic and taboo.
Learning Outcomes
On completion of this module, students should have learned how to study dramatic form and how to relate a text to its context. Through class discussion and formative assessments, you should have further developed your oral and written communication skills.
Skills
To familiarize students with the range of drama produced during the English Renaissance; to provide students with the knowledge and skills necessary to undertake Renaissance modules in Stage 3.
This module introduces students to the extraordinary diversity and achievement of Irish literature, from the Act of Union in 1800 to the late twentieth century. The module is chronologically structured, and places particular emphasis on situating texts in their wider historical contexts, as well as developing their relations to broader European movements and traditions. Encompassing poetry, fiction, and drama, the module considers a range of themes, such as romanticism, gender, the gothic, cultural nationalism, the politics of modernity, liminality and exile, and northern perspectives on an Irish tradition. Writers studied will include W. B. Yeats, James Joyce, Samuel Beckett, and Seamus Heaney.
Learning Outcomes
On completion of this module the student should have an ability to set Irish literature in its historical context; an ability to make connections between differing genres of Irish writing; an ability to scrutinise the politics of Irish writing.
Skills
On completion of this module you should have an ability to set Irish literature in its historical context; an ability to make connections between differing genres of Irish writing and an ability to scrutinise the politics of Irish writing.
This module examines the development of prose fiction in English from the later seventeenth century to the early nineteenth century. This is the period in which the novel emerged in its recognisably modern form, establishing itself as an important genre within literary culture. It was also an era of generic experimentation, as writers debated the nature of the novel, took the form in new directions, and grappled with earlier modes of writing in prose, such as romance and picaresque, allegorical and fantastical fiction. In this module, we explore the variety of prose fiction published during this period: from romance and amatory fiction, through works of realism and social comedy, to the sentimental and Gothic modes that emerged in the later eighteenth century. These works engaged closely with contemporary social, cultural and political issues, and we will consider texts that address topics such as travel and empire; science and civilisation; marriage and gender; crime, morality and the state of the nation. By considering these works in their literary and cultural contexts, the module both highlights the diversity of fiction written during this era and charts the early history of the novel up to the sophisticated narratives of Jane Austen.
Learning Outcomes
Having completed this module, students will have developed higher-level knowledge and understanding of prose fiction during the period 1660-1820. They will be able to identify the different kinds and modes of fiction published during this period, including romance and amatory fiction, works of realism and social comedy, the sentimental and Gothic modes. They will be equipped to assess critical arguments concerning the ‘rise’ of the novel as a distinctive literary genre during the ‘long’ eighteenth century. They will also be able to situate this body of fiction more broadly within its literary and cultural contexts. On completing the module, then, students will be able to articulate the key types of fiction in English during the period up to (and including) Austen, theories about the novel’s emergence as a literary form, and the engagement of these works with a range of contemporary issues.
Skills
Having completed this module students will be able to:
• Analyse works of prose fiction published during the ‘long’ eighteenth century, in terms of genre, technique, and social and cultural contexts
• Demonstrate understanding of the variety of forms, modes and styles within fiction during this period, and the pre-history of some of these ways of writing
• Adjudicate critical and theoretical ideas regarding the ‘rise’ or emergence of the novel genre during the period up to Austen
• Demonstrate understanding of the particular issues explored within this body of fiction - from issues such as marriage and travel to concerns about crime, morality and empire
• Demonstrate transferable skills in the forms of group discussion, written communication, and individual research
Nationalism has been a key factor in African history since the late 19th Century. How has it emerged, under what forms, how has it evolved, when and how did it become a mass ideology, and what happened to it after the independence of African states in the second half of the 20th Century? This module offers a critical look at these themes, focusing on ideas, cultures and the politics of nationalism and liberation. The module considers different theories and articulate their discussion to a consideration of diverse case studies, e.g. Ghana, Congo, Angola, Mozambique, and South Africa.
Learning Outcomes
Students who successfully complete the module should
• Be able to demonstrate an understanding of the history of Africa in the late 19th and 20th centuries;
• Be able to develop critical arguments about nationalism, liberation and the non-Western world;
• Be able to demonstrate an understanding of the requirements of essay writing, archival work, and oral presentation.
Skills
Critical writing; archival research; oral presentation.
Archival research will be kept to a minimum, in an archive in Belfast or online. The oral presentation will be a presentation of archival material to be used for the second essay.
The making of contemporary Britain: 1914 to the present
Overview
The course examines key debates in British history between 1914 and the present and complements "The making of modern Britain". It charts political, economic and social change in twentieth century Britain, including decolonisation and the loss of empire.
Learning Outcomes
At the end of the module, students should have developed an increased ability to demonstrate knowledge and understanding of contemporary British history as well as an enhanced ability to critically evaluate historical issues and problems in this field. Increased ability to discuss key historiographical debates relating to contemporary Britain. Students should also have enhanced ability to prepare written analyses of a primary source that draws upon key secondary literature. Increased ability to gather and synthesise material.
Skills
Students should develop an enhanced ability to think critically, reason logically and evaluate evidence, as well as to have further developed written and communication skills. They should also have an increased critical appraisal of and engagement with historical sources. Enhanced ability to make effective use of a range of sources.
This module will focus on museums from the Renaissance to the modern day, charting the transition from private collecting to public display. It will consider the shifting roles of museums across time and will provide students with an understanding of how and why museums’ aims, purposes and functions continue to change. Students will engage with debates about object collection, preservation, repatriation and display, and will explore some of the current issues facing museums. They will also consider diverse museum audiences, including the elite and wealthy audiences of the eighteenth century and international audiences served by twenty-first-century online museums. Through their reading, research and museum visits, students will also begin to appreciate the different roles of museum staff and through their object engagement project, will gain vital skills that could be useful for their own future employment.
Learning Outcomes
On completion of this module, the successful student should be able to
- Discuss the history of museums
- Understand debates about the purpose, aims and roles of museums in society
- Explain how and why the function of museums and their target audiences have changed over time
- Identify current issues facing museums, particularly in Northern Ireland
- produce object labels or object biographies for a wide audience
Skills
- Analytical skills
- Research skills
- Object appreciation skills
- Written, oral and visual communication skills
- Debating skills
- Computer/multimedia skills
- Group work skills
The Roman Origins of the East and West; From Augustus to Charlemagne
Overview
This course focuses on one of the most exciting periods in the formation of the East and West, namely, the transition between the ancient and medieval worlds. Invasions of ‘barbarian’ hordes across the Rhine and Danube frontiers in the fifth and sixth centuries ended a stable system; in the seventh and eighth centuries, the invasions came from the south, as the forces of Islam exploded from Arabia and changed the Mediterranean Sea from a Roman lake to a contested frontier. In response to these political changes, individuals such as Augustine, Jerome, Basil of Caesarea, Gregory Nazianzos, Basil of Nyssa and John Chrysostom sought to incorporate the Classical heritage into the Christian life. Beginning with the Emperor Augustus, this course charts the development of the Roman empire and surveys its major institutions and culture, from the mechanics of autocracy to the character of polytheism. The success of Christianity within this empire is examined, particularly in relation to persecution and the ways in which the triumphant Christian church shaped ‘late antiquity’ are explored. This world, however, became subject to forces of change that transformed it dramatically. The course proceeds to highlight the significance of Theoderic, King of the Ostrogoths, who strove to unify Roman and barbarian cultures. It also examines Justinian the Great, the Byzantine emperor, whose attempt to reunite the Roman world ultimately failed. This course looks at Rome’s successor states in the East and West, namely medieval Byzantium, Frankish Gaul, Ostrogothic Italy and Visigothic Spain. The emphasis is on the theme of continuity and change. We look at how the Franks, having conquered Gaul, drew on Roman imperial and Christian ideology to legitimise their authority; how the Visigoths, having established their authority in Spain, produced a remarkably rich Roman-based culture; how the Romans of Byzantium, under hammer blows of Gothic, Hunnic and Muslim invasions, forged an enduring Byzantine culture combining Roman polity, Greek civilisation and Christian religion.
Learning Outcomes
• Help students think critically, reason logically and evaluate evidence.
• Develop students’ written and communication skills.
• Encourage critical appraisal of historical sources.
• Enable students make effective use of electronic sources
Skills
• Demonstrate knowledge and understanding of Late Roman and early medieval history.
• Make conceptual links between different historical periods and places.
• Trace concepts and ideas over time.
• Critically evaluate historical issues and problems in this field.
• Write essays and develop arguments, making extensive use of both primary and secondary literature in the field
A dramatic expansion of medieval Europe occurred between about 1000-1300. This module will explore the growth of kingship and state formation, but will cover not only political history, but also economic and social, religious and cultural change. The main historical themes that dominated and shaped the history of Europe in the central Middle Ages will be explored with a focus on those institutions that laid the foundations for the formation of modern Europe.
Learning Outcomes
Students should acquire knowledge of the history of medieval Europe and be able to recognize and evaluate historical debates relating to the content of the module; be able to engage with historical interpretations and to judge between them; be able to evaluate the strengths and limitations of the principal primary sources relating to the module; be able to write informed and critical analysis of the historical issues and problems explored in the module.
Skills
Development of skills in critically analysing, contextualising and evaluating different types of written evidence; development of a critical understanding and appraisal of different types of historical writing and of approaches and concepts used by historians;; development of writing skills through formative and assessed coursework and a timed examination; development of oral communicative skills through tutorial presentation.
Foundations for Speech Analysis: The Phonetics of English
Overview
This module offers you an introduction to the study of speech analysis. We begin by investigating the mechanisms which are used to produce speech and providing a framework for the convenient classification and description of pronunciation features. We then examine accent variation, in terms of aspects such as contextual effects, intonation and voice quality. Finally, the module gives you the chance to acquire an understanding of the acoustic characteristics of speech. Throughout the module, you will be required to develop your oral and aural skills in phonetics by means of various practical and online facilities. While the module concentrates on normal English speech, we may also have the opportunity to consider data from non-English speech and from non-normal speech.
Learning Outcomes
This module should give a practical grounding in phonetics. Knowledge of how speech works is needed for a variety of occupations. Students intending to teach English will find phonetic skills essential in implementing oracy and literacy requirements in the classroom. Drama students can benefit from phonetic knowledge in order to deal with voice production, projection and accent learning. For foreign language learners and teachers, phonetics is invaluable in achieving target pronunciations. Future students of linguistics and communication should find that phonetics complements their study of linguistic communications and, finally, those interested in communication disorders need a detailed knowledge of speech production and perception in order to understand specific impairments and their effects..
Skills
When you have completed this module, you should be able to apply your knowledge of speech production and variation to a variety of communicative and educational situations. By means of your aural and oral training, you should have developed skills in detailed, analytic listening and in accurate perception, production and transcription of various phonetic distinctions. The 50% essay should enable you to acquire and demonstrate ability in critical assessment of, for example, the role of a speaker's phonetic profile in achieving particular communicative ends.
The union and post-union government of Ireland; the development of nationalism and unionism in their different forms; the relationship between religion, politics and society; economic and social development, the famine and emigration; gender relations and the family; the land question and attempts to resolve it; Home Rule and resistance to it; Ireland’s relations with the British empire.
Learning Outcomes
Students should understand the key developments in Ireland’s political and social history over the course of the nineteenth century, in terms of continuities and changes.
Skills
The acquisition, weighing and assessment of historical information and interpretation. Analytical skills in interpreting and critiquing primary sources. Development of presentation skills involving the analysis and interpretation of material and articulation of evidence-based argument.
‘Critical and Cultural Theory’ names a panoply of intellectual movements, philosophical currents and political perspectives emerging out of the crisis in European culture and identity precipitated by the pace of political, technological and social change in the nineteenth century. That crisis was exacerbated by the world wars of the twentieth century, the rise of Communism, and the collapse of Western imperialism. This module introduces students to key issues in critical and cultural theory, historicising its emergence and reflecting on its current preoccupations. Beginning with the ‘masters of suspicion’, Freud, Nietzsche and Marx, who are often perceived to have brought the project of Enlightenment humanism to a shuddering halt, the module will trace the development of a variety of important theoretical perspectives, including Marxism, psychoanalysis, structuralism and poststructuralism, historicism, gender studies, and bio-politics and posthumanism. The module will build on the questions asked by the Stage One module ENG xxx Adventures in Literature and the History of Ideas and will complement the approaches taken on other Stage Two modules, given its historicising agenda.
Learning Outcomes
Having completed this module, students will have developed a basic knowledge of a range of theoretical traditions and be better equipped to situate the cultural and political preoccupations of the modern and postmodern literatures they are exploring elsewhere in the curriculum in relation to the intellectual, political and social developments of Western societies from the nineteenth to the twenty-first centuries. They will be better attuned to the intellectual agendas and theoretical affiliations of the critical approaches used by both staff in the School and in the secondary critical materials they are encountering in other modules across their degrees. They will have learned to historicise and synthesise a range of often conflicting intellectual and philosophical traditions.
Skills
Having completed this module students will be able to:
• Identify and adjudicate between different intellectual approaches to literature, culture, gender and history
• Analyse and evaluate key critical terminologies and ideas and place them in their historical contexts
• Demonstrate an ability to read ‘secondary’ texts critically and with a view to their underpinning intellectual assumptions and agendas
• Demonstrate transferral skills in the form of group discussion, written communication, oral presentation and collaborative work
The outcome of the Civil War sealed the destruction of slavery and raised hopes among African Americans and others of a new,more egalitarian social order in the American South. After a promising start in the immediate aftermath of the War,those hopes were crushed beneath the weight of racial reaction and the demands of the region's new industrial order,leaving ordinary southerners of both races languishing amidst intense poverty and racial violence. In this module we will attempt to understand both the remarkable resilience of racial divisions in the American South and the periodic attempts on the part of black and white southerners to challenge regional "tradition".
Learning Outcomes
To explore and understand the consequences of the ending of slavery in the American South.
Skills
An ability to analyse orally and on paper, the complex issues of race in the context of the American South.
Home Rule or Union?; Social and economic change; Gaelic revival and parliamentary politics; separatism; the Home Rule/Ulster crisis, 1912-14; war, rebellion and revolution; partition, independence and devolution.
Learning Outcomes
To understand the course of Irish development during the remaining years of the Union; partition, independence and devolution in Northern Ireland.
Skills
The acquisition and analysis of information; prioritisation and interpretation; effective presentation of written and oral reports.
The history of the interwar period in Europe is a familiar story to many, with the rise of Stalin and Hitler forming the central pillars of the narrative. This module offers a new perspective on this period, exploring issues that enable comparisons, as well as highlight contrasts, between the histories of various European states and peoples. It is:
- thematic, not chronological, in structure, though it clearly has a first part focused on the 1920s, and a second on the 1930s
- geographically de-centred – we are as likely to discuss Italy and Spain, as Germany and Russia
- organised in a way that suggests the Spanish Civil War was both the central epic of our period but also the culmination of interwar social, political and cultural struggles
- focused on social and cultural aspects of the period, as much as political and economic – we are as likely to discuss gender and art, as fascism and communism
- based on wide-ranging and in-depth reading, including fictional works and films read as texts
- aimed at those who want to go beyond men with moustaches, who enjoy the unusual and the quirky and like to go off the beaten track in their history studies
Learning Outcomes
By the end of this course, you should be able to demonstrate:
- a good knowledge of the political regimes and their ideologies which were established in Europe during this period
- an understanding of the economic forces at work between 1919 and 1939 and their implications for various European societies
- an understanding of the outlook and experiences of various sectors of European society, including ethnic minorities and women
- familiarity with primary sources from this period and with relevant secondary materials and historiographical debates
- the ability to identify and select information relevant to the topic area from a variety of sources
- the ability to analyse and evaluate evidence and argument
- the ability to present your own arguments in essays, using appropriate evidence to support your views
- the ability to work effectively within a group, making appropriate contributions to discussions, debates and tasks, as well as contributing and presenting a group presentation
Skills
- to provide students with an understanding of European history between 1918 and 1939, in the context of previous and later historical developments
- to acquaint students with a variety of historical sources from this period including official documents and the press, films and images, as well as with secondary materials and historiographical debates
- to promote the development of key skills required to study history effectively
This module investigates the ways in which language intersects with the social and political reflexes of power and ideology. Students are encouraged to challenge, through exposure and then analysis, the discourse conventions that characterise the language of powerful groups and institutions. This module places particular emphasis on print and broadcast media, legal, political and advertising discourse, and on other forms of institutional rhetoric. Among the topics covered are: The Discourse of Institutions and Organisations; Power and Talk; Language and Gender; Language and Race; Language and the Law; Humour as Power; Political Discourse and the Language of Advertising.
Learning Outcomes
Students should be able to carry out systematic analysis of differing forms of language in different contexts of use. The moudle should help students to analyse a range of texts and practices, understand the ways in which language is used to exercise control, understand the anatomy of texts and text-types, especially print and broadcast media, and advertising discourse. Also analyse critically the interrelation between powerful institutions and the discourses they disseminate in the public sphere. Students should also further develop effective oral and written communication skills.
Skills
Students are invited to think in new ways about the English language in relation to its social and political context. Students should also develop skill in unpacking a variety of spoken and written texts, and in developing arguments about the way language practice is informed by and reinforces relationships of power. It is hoped that the course itself acts as an empowering tool, helping students to interrogate the discourse that surrounds them in everyday social contexts.
Apocalypse: Cultures, communities, and the end of the world
Overview
The aim of the course is to introduce students to historical and anthropological reflection on millennial / millenarian beliefs and movements across space and time. Taking a long view of historical events and using case studies of present-day groups that attend to ideas about the end of the world, taking advantage of the interdisciplinary character of the School, and using a wide range of primary sources, including novels, film, websites, and ethnographic case studies and film, this course will invite students to consider the ancient roots of millennial theory; its foundational texts, exponents / prophets and movements; examples of well-known failed and successful millennial claims and movements, including the Crusades, radical puritans, Mormons, Jewish Zionists, American evangelicals, new religious movements, including UFO and suicide cults, and radical Islamists; the use of millennial theory as presentist critique; the development of millennial majorities, and the social, cultural and political implications of their dominance; millennialism’s place in utopian theory; and a final consideration of theoretical rejoinders, in which the course leaders encourage students to consider whether millennial claims might be right – for example, in terms of global warming – and whether that might change the way in which historians and anthropologists should approach the subject.
Learning Outcomes
An understanding of the broad history and anthropology of millennial movements across space and time; An ability to discuss millennial ideas and movements using heuristic tools from history and anthropology; An ability to use electronic resources and to develop key research skills; Effective communication skills; An ability to write an informed analysis of historical problems discussed in the module; An ability to work independently.
Skills
Enhanced ability to think critically, reason logically, and evaluate evidence; Further develop communication skills, both written and oral; Critical appraisal of, engagement with, and effective use of a variety of historical and anthropological sources.
In a nation which would later commit itself to upholding the ideals of freedom and democracy, the early American South developed a distinct social order based on the enslavement and subordination of Africans and their descendants. This course will explore the development of southern distinctiveness over two centuries, from the evolution of racial ideology in the early Chesapeake to the armed defence of the South's "peculiar institution" in the Civil War.
Learning Outcomes
To explore and understand the unique development and problems of the American South.
Skills
The ability to analyse and explain orally and on paper, the complex issues relating to the topic.
The module will examine the revolutionary developments in Europe from the age of the high Renaissance around 1500 to the outbreak of the French Revolution in 1789 and its aftermath. Although the course content will be structured and delivered chronologically, the main focus of the module will be on those specific events and developments that historians have labelled ‘revolutionary’. Included in the analysis will be the cultural innovations brought on by the Renaissance, the upheavals in the religious world effected by the Reformation, the social and political changes associated with the rise of the state, and the revolution in forms of thought (from the scientific to the political) that emerged during the Age of Enlightenment. The module will end with a close study of the French Revolution, which was in many ways the culmination of the events and developments that make up the content of the module.
Learning Outcomes
Students should acquire knowledge of the main historical developments of early modern European history and the extent to which the various revolutionary aspects of the age (from the religious and the cultural to the social and political) led to a fundamental reshaping of society and provided the foundations for the making of the modern age. The student should acquire knowledge and understanding of these historical developments in historical context, by which is meant they should acquire an understanding of the cause, consequences, and basic histories of developments such as the Renaissance, Reformation, state formation, and the rise of political revolution. They should also be able to place the specific developments within the broader dynamic of early modern history, thus acquiring a knowledge of how the various revolutions during this period influenced each other.
Skills
The module should enable the student to develop the following skills:
Analytical Thinking: the ability to identify, understand, interpret and evaluate relevant subject-specific arguments made by others; to construct independent arguments;
Critical & Independent Thinking: the ability to think critically and construct one’s own position in relation to existing and ongoing debates in the field;
Communication Skills: ability to communicate clearly with others, both orally and in writing;
Efficient and Effective Work Practice: demonstrate the ability to work efficiently to deadlines for both written work and tutorial presentations;
Clear Organisation of Information: show efficiency in the organisation of large amounts of complex information and the ability to identify, describe and analyse the key features of the information.
This module aims to provide a strong background in English language by focusing on the print and broadcast media in Britain. It will also introduce students to some of the theoretical concepts and critical issues associated with Media studies. For students, one of the most effective ways to begin understanding the media is to analyse media texts such as newspaper articles, magazine advertisements, political speeches, television and radio interviews, talk shows in detail. Students will also look at non-verbal communication, layouts, and images to see how language interacts with other modes of communication. The course examines important media issues, such as the myth of a free press, racism, violence and commercialization and also provides important information on areas of media studies essential for analysing media discourse, i.e. media practices (the way reporters and editors work and how audiences shape and are shaped by the media).
Learning Outcomes
By the end of this module, you should have developed skills in a critical linguistic analysis of spoken and written media texts/textual and visual media. You should also have gained an awareness of the place of the media in their broader political, economic, social and cultural contexts.
Skills
This module should enable students to build upon and enhance the linguistic skills that they have already acquired during the course of their degree and in particular should allow them to acquire and demonstrate: an ability to critically analyse and interpret written and spoken media texts; a broad understanding of media practices and media audiences; knowledge of a range of theoretical and methodological approaches within the field of media and language; critical thinking about how print and broadcast media are produced and distributed; proficiency in oral and written communication skills.
Students will undertake a piece of independent research and write a dissertation presenting that research and their conclusions. They will have the guidance of a tutor, but the emphasis is on their own independent research and writing. There should be no overlap between the chosen topic and work done for other modules. Students will be expected to develop and exhibit suitable theoretical and methodological frameworks for their chosen topic.
Learning Outcomes
The module will provide an opportunity to explore, to investigate and to identify themes for research within English. Students will be able to draw from a variety of theoretical, textual, analytical techniques, to examine and evaluate a given research problem.
Skills
By the end of the module students will:\n\nhave a developed critical understanding of an area of language study;\n\nhave developed the skills needed to conduct an independent line of research;\n\nbe able to write a cogent, well-illustrated dissertation, which displays originality of consistent thinking and application of ideas, concepts and theories.
The late twentieth century has seen a proliferation of Shakespeare on screen. This module investigates the phenomenon through the cinematic history of four plays - Henry V, Romeo and Juliet, Hamlet and Othello. It looks at the work of directors such as Laurence Olivier, Franco Zeffirelli, Orson Welles, Kenneth Branagh, Baz Luhrmann, Oliver Parker and Michael Almereyda. Debate will focus upon the following areas; the relationship between the playtext and the film; the malleability of Shakespeare as a cultural icon; the relevance of Shakespeare to a modern audience; the shifting status of Shakespeare as a signifier of gender, race, technology and politics.
Learning Outcomes
This module aims to inculcate an in-depth knowledge of the multifarious ways in which Shakespeare is appropriated in late twentieth-century cinema; to enable students to discriminate between various filmic versions of a play; to gain the confidence and capability to deploy critical and theoretical tools to talk about film constructively; and to reflect upon connections between Shakespearean production and the preoccupations of a particular historical moment.
Skills
Having successfully completed this module, you should have become familiar with a range of ways in which Shakespeare is appropriated in the cinema; you should have learned how to utilise a theoretical filmic vocabulary in the interests of larger analyses; you should be able to discriminate between various filmic versions of a play and to identify some of their cultural and intertextual influences; you should have further honed your presentational skills and, through regular teamwork, learned the value of collaborative practice.
This course aims to explore the writing and culture of the working class, to ask how socio-economic distinctions inflect judgements of ‘taste’, and to develop an understanding of the historical role of class in shaping identities across ethno-nationalist lines. A good deal of scholarship in recent decades has signalled a growing awareness of British working-class writing, though Irish Studies, by comparison, has tended to neglect issues of social class. We will therefore engage the more substantial body of scholarship on British working-class literature to inform our discussion of Irish working-class writers, signalling new and exciting possibilities for future scholarship.
Learning Outcomes
On completion of this course, students will have refined their broad critical understanding of key thinkers in cultural materialist and left-wing literary theory. They will have applied this understanding to over a dozen key texts (including films), engaging a range of historical and social contexts across twentieth-century British and Irish writing, analysing the recurrence of key themes and ideas in working-class writing. Students will also have related these readings to developments in postcolonial, postmodern and feminist theories, where applicable, drawing on a broad range of cultural and intellectual perspectives.
Skills
During this module, students will have the opportunity to practise the following skills:
- Critical analysis of key debates in literary and cultural theory;
- Engagement with interdisciplinary debates regarding historiography and the sociology of culture;
- Application of learning to key texts in working-class writing;
- Comparative analysis of literary and filmic representations and conventions;
- Writing critically and reflectively;
- Presentation skills.
This is a Special Topic module offered by a visiting Fulbright Scholar. This course focuses on contemporary Irish women writers and their depiction of home in light of the poetic duality of scáth, an Irish word that may be translated as either shadow or shelter. This duality of scáth helps capture the complicated nature of home, especially for Irish women, who have historically been caught somewhere between viewing “home” as a sheltered respite or as an imprisoning shadow. After rooting the Irish female literary tradition in Irish myths, we will study both how today’s authors not only describe this paradoxical relationship but also offer models of women who simultaneously resist the shadows and create their own shelters of beauty and hope without denying or ignoring ugly realities. Sample texts include Emma Donaghue’s Room, Anna Burns’s Milkman, and Maggie O’Farrell’s This Must Be the Place.
Learning Outcomes
Students will develop their skills in: close reading of literary texts; analysis of literary texts within cultural, historical, and biographical contexts; oral communication; formulation of critical arguments; research methods; scholarly writing, including the integration of primary and secondary sources and adherence to academic conventions
Marvels, Monsters and Miracles in Anglo-Saxon England
Overview
The very nature of marvels insists on their subjectivity: they are defined by the experience of their viewer. To marvel from the Latin mirari or to wonder from the Germanic wundar is to be filled with awe, surprise, admiration or astonishment. When we try to generalise about the meaning of marvels and the use of wonder in the Middle Ages, we are confronted with multiplicity. How do we read marvels? What’s their role in medieval texts? Are monsters and miracles to be read as marvels? One of the most critical tools for discussing the nature of difference that is central to the marvellous is the idea of the ‘Other’ which offers both psychological and political means of analysing the experience of wonder. The Anglo-Saxons were fascinated by the idea of encounters with strangeness and difference – a fascination that expressed itself in a rich and diverse rang of textual, artistic and geographical representations of such imaginings. Difference was considered both marvellous and monstrous; terrifying and fascinating; disgusting and desirable.
This module examines the perceptions of the marvellous and monstrous in the literature of the Anglo-Saxons. It investigates the nature of those phenomena which the Anglo-Saxons experienced as marvels, how they interpreted their experiences of astonishment and how they recreated them for others. It analyses the importance of ‘marvellous difference’ in defining ethnic, racial, religious, class and gender identities, as represented in different genres including historiography (i.e. The Anglo-Saxon Chronicle), travel narratives (Wonders of the East, Alexander’s Letter to Aristotle etc), hagiography (i.e. The Life of St Christopher) and other literary texts including Beowulf, Judith, Genesis B.
Texts in Latin, Old Norse and Middle English may be used for comparative purposes. Modern English translations will be provided for all the texts. Students are also expected to be able to engage with texts in Old English.
Learning Outcomes
On completion of the module students should be able to:
-Demonstrate a critical awareness of a variety of early medieval concepts and constructions of otherness and difference;
-Show a familiarity with a range of medieval texts, genres and cultural concepts;
-Demonstrate the ability to engage with both contemporary critical concepts and their applicability to pre-modern texts;
-Show evidence of independent research and study skills;
-Use relevant electronic databases to further their written work;
-Demonstrate a consistent level of contribution to seminar discussions.
Skills
This module will enable students to:
-Develop an informed sense of the complexity of concepts such as monstrosity, marvellous, superstition, miracle, religion, otherness;
-Consider and evaluate how difference (racial, religious, gender, national) was conceptualised in early medieval English culture;
-Acquire an understanding of various literary texts in relation to their cultural context and audience;
-Develop an ability to engage critically with the primary material as well as familiarity with modern scholarly and critical approaches;
Apply independent thought and academic research skills.
This module will examine gendered dimensions of performance from the late sixteenth century to the Restoration. It will introduce students to ways of reading performance via a range of playwrights, genres and theatrical contexts. Topics will include Shakespeare’s boy actors, the children’s playing companies, female performance, shifting dramatic practices and theatrical innovation. It will raise questions about performance spaces and traditions and the representation of gender, location, status, cross-dressing, the body and the actor on this stage.
Learning Outcomes
Students will gain knowledge of modes of representation on the Renaissance stage. They will become familiar with important developments in theatrical practices in this period. They will be able to critically reflect on the ways in which dramatic texts refract contemporary issues of gender, sexuality, status and location and to evaluate these themes across dramatic genres and performance spaces.
Skills
Students will develop skills of close analysis of texts in relation to Renaissance performance and cultural contexts. They will develop the ability to explore questions of gender, genre, space and performance. The module will improve students’ written and oral communication skills and enhance their abilities to develop an argument independently and through group work.
Religion and Empire: Christian Missions To Africa, Asia and Middle East
Overview
Christian missions are often seen as old fashioned, but for long they were at the forefront of modernity. They carried modernity overseas and brought back fresh ideas which helped shape new societies. This course investigates when and how Christian overseas expansion happened; how missionaries related to empire and indigenous peoples; why and how Africans or Asians chose to convert; what they did with the Christianitywith which they were confronted; and how missionary activities contributed to the elaboration of new ideas of race, class and scientific knowledge at home.
Learning Outcomes
Students who successfully complete the module should
• Be able to demonstrate an understanding of the history of Christian expansion in the 19th and 20th centuries;
• Be able to develop critical arguments about religion and modernity in the West and in the rest of the world;
• Be able to engage successfully with archival material;
• Be able to demonstrate an understanding of the requirements of essay writing, bibliographic work, and oral presentation.
Skills
Critical writing; archival research; oral presentation.
Archival research will be kept to a minimum, in an archive in Belfast or online. The oral presentation will be a presentation of archival material to be used for the second (major) essay.
This course will examine the causes and repercussions of the Peasants’ Revolt of 1381. This was a significant uprising by the peasantry (and others) within medieval England, though its roots and consequences are the subject of much debate. The fourteenth century as a whole was a period of much social and economic upheaval, dominated by famine, plague, war and heresy. Students will explore the Peasants’ Revolt by situating it within the wider contexts of medieval society, such as lord-peasant relations, the Black Death, the decline of serfdom, the Hundred Years War, the growing repression of the Wycliffite or Lollard heresy, the kingship of Richard II, and revolts across Europe in the late-fourteenth century. A variety of primary sources will be examined in depth, such as court rolls, laws, chronicles, literature and tax records, in order to gain a detailed insight into the nature of revolt.
Learning Outcomes
On completion of this module students will have:(a) acquired detailed knowledge of the events of the Peasants' Revolt; (b)understood key aspects of social, economic, political and religious changes in fourteenth-century England; (c) evaluated the different factors which contributed to the outbreak of the Peasants' Revolt of 1381; (d) analysed a variety of medieval primary sources in a knowledgeable and critical manner.
Skills
On completion of this module students will have: (a) critically analysed a variety of primary source material; (b) integrated social, economic, religious and political history; (c) evaluated and synthesised relevant secondary material; (d) followed an independent investigation of an historical subject, including identifying and locating suitable primary and secondary sources; (e) developed their communication skills in both written and oral forms.
This module aims to raise questions about the relation between works of fiction set in the Victorian period, and made-for-TV reappropriations of these texts. It considers the way that we ‘read’ the Victorian period through visual image, and the impact of technologies of the visual on the written word. It introduces different theoretical approaches to film, and explains, by means of example, the differences between cinema and television. It explores connection between cinematic practice (montage, the shot, editing, sound, space and mise-en-scène) and notions of writing. It will ask questions about the nature of genre, spectatorship, and issues of ideology and effect. The module will concentrate on identifying the range of different resources required to understand the flow of images on the TV screen, and will examine how ‘adaptation’ is conceptualised, particularly the ways in which the comparison of book and film is haunted by notions of faithfulness and the ‘original’ primacy of the literary work.
Learning Outcomes
Having completed this module, you should have refined your ability to analyse literary texts sensitively in relation to films made for TV. You should have developed your skills in constructing written and spoken analyses and arguments, based on assembling appropriate primary and secondary evidence from textual and visual media. You should have developed an ability to conceptualise adaptations, to speak in a theoretically informed manner about reappropriations of works set in the Victorian period, to distinguish between film and television as visual media, and to read visual images in such a way as to appreciate how literature and film work together to produce cultural artefacts.
Skills
This module should enable you to build upon and substantially enhance the skills that you have already acquired during the course of your degree, and in particular should allow you to acquire and demonstrate the following: broad comprehension of modern scholarly debates concerning adaptations; understanding of how Victorian social and cultural contexts are translated or interpreted for the modern age; understanding of the fundamentals of film and television art; the ability to analyse critically the interrelation between works of fiction and their made for tv counterparts, in the process identifying their complexities and contradictions; effective oral and written communication skills.
Literature and Science in the Nineteenth Century: Evolution, Degeneration, and the Mind
Overview
This course will explore the diverse ways that writers responded to the dramatic developments in science in the nineteenth century, from Darwinian evolution and degeneration theory to the fascination with psychology, mesmerism and the mind. These emergent bodies of knowledge transformed conceptions of the self and society, and we will examine the strategies used by writers to engage with new conceptions of time, fears about progress, and the challenge to religious beliefs presented by the prospect of a directionless universe. Considering the emergence of social science and anthropology, as well as developments in evolutionary biology, psychology and the occult sciences, we will explore the ways science helped to shape nineteenth-century ideologies of race, class, and gender, and led to experiments with new and popular subgenres (including science fiction, imperial adventure, detective fiction and the utopian/dystopian novel).
Learning Outcomes
You will gain an understanding of the ways science participated in nineteenth-century constructions of race and empire, class and gender, and informed debates over subjectivity and social relations. You should be able to relate developments in biology, psychology and social science to fictional modes of representation, including developments in realist fiction, fantasy, and subgenre fiction. You will gain a more nuanced grasp of relationships between science, literature and culture in the nineteenth century.
Skills
You should build on skills developed on ENG2070, including the ability to relate texts to their historical contexts, the ability to engage with texts in both thematic and formal terms, the ability to relate scientific developments to literary developments (including the rise of science fiction, imperial adventure, detective fiction and the utopian novel), the ability to contextualise and question relationships between literature and science in the nineteenth-century, and to explore the dynamic relationships between fictional and non-fictional writings, the development of a critical awareness of the way science shaped (and was shaped by) nineteenth-century politics and culture. You will also acquire enhanced skills of independent thought and research, group-work skills and oral presentation skills.
This module examines the last century for the most populous country in the world. During that period China experienced far-reaching changes and after a long submission period to the Western powers reaffirmed its central role on the global stage. In terms of political structures, there was a move from empire to republic, and then from a right wing to a left wing mono party rule. In that regard, the century can be split into before and after World War Two, when the leadership of the country was first in the hands of the Chinese Nationalist Party led by Sun Yatsen and then Chiang Kaishek, and since 1949 by the Chinese Communist Party led by Mao Zedong, then Deng Xiaoping and his successors. The twentieth century for China also witnessed epochal changes regarding society and culture, including the New Cultural Movement, the May Four Movement, the emancipation of women, and opposition to Confucian values. The course also presents the intricate foreign policy, which passed from a tributary system, to Japanese occupation, to a central player of the Cold War in Asia, and to a central player in the globalized world of today.
Learning Outcomes
On successful completion of this module, students should be able to:
• Demonstrate detailed knowledge and understanding of the political and social changes of twentieth-century Chinese history.
• Confidently evaluate a range of relevant historiographical debates and approaches.
• Analyse and evaluate in translation a variety of primary sources drawn from across the period.
• Evaluate evidence for continuity and change across the period, and compare regional variations.
Skills
• Students will improve their ability to engage with and critique a variety of historical interpretations.
• Students will develop their ability to identify and locate primary and secondary sources and to exploit them in constructing sustained and coherent arguments.
• Students will enhance their self-confidence, team-working and oral and written communication skills by engaging in group discussions, making presentations, and submitting written work.
This module considers the ancient Greco-Roman city as a dynamic form of settlement, from its origins in archaic Greece to its demise (or transformation) in the late antique West. Our readings will include ancient discussions of the political and economic roles of cities and of urban architecture and design, as well as depictions in prose and poetry of everyday life in imperial Rome and classical Athens. We will also examine the material remains of these two ancient “mega-cities” and of the smaller but well-preserved cities of Pompeii and Herculaneum. We will attempt to formulate our own definition(s) of the ancient city, and we will trace changes in the organization and uses of urban space, and in ancient writers’ conceptions of the political, social, economic, and religious roles of cities, over the course of classical antiquity.
Learning Outcomes
- An understanding of the historical and geographical diversity of ancient Mediterranean urbanism.
- An ability to recognize and evaluate historical debates (both ancient and modern) relating to the development of the Greco-Roman city.
- An ability to evaluate the wide range of textual and material-cultural evidence pertaining to the Greco-Roman city.
Skills
- The ability to engage with historical interpretations and to judge between them, both orally and in written form.
- The ability to evaluate the strengths and limitations of diverse primary and secondary sources.
- The ability to locate relevant sources and to construct a consistent written argument from them.
- The confidence to discuss, present and articulate arguments to peers.
Stylistics is the application of analytical models and methods from linguistics to rhetorical texts, including (but not limited to) fictional and persuasive texts. In this module, the students are introduced to the analytical frameworks used in contemporary Stylistics, which draw on a range of approaches from Pragmatics, Corpus Linguistics and Cognitive Psychology. The frameworks are applied to texts to demonstrate how the linguistic patterns employed lead to stylistic effects. The students will practice applying the models to a variety of texts, identifying the linguistic features that contribute towards style in language.
Learning Outcomes
On completion of this module, students will have an understanding of the key frameworks used in stylistic analysis and the ability to apply them to rhetorical texts. Through practising this application, students will learn to identify patterns in the linguistic features that lead to stylistic effects. Consequently, students will have a heightened awareness of the use of language for artful and persuasive purposes.
As well as subject-specific outcomes, students will gain from this module more generally by learning methods in the qualitative analysis of texts, to write critically and to present an argument clearly.
Skills
During this module, students will have the opportunity to acquire the following skills:
Module-specific:
- Linguistic analysis of rhetorical texts
- Criticism of linguistic theory and practice
- Identification of formal linguistic features
Generic:
- Qualitative research methods
- Writing critically and reflectively
- Presentation skills
The Italian Renaissance statesman, political philosopher and historian Niccolò Machiavelli is best known for his treatise The Prince. Machiavelli’s creation of the archetype of the autocratic ruler has been admired by countless statesmen, historians and political scientists ever since.
It may therefore come as a surprise that the righteous “New World” Founders of the American Republic were almost without exception devoted followers of the “Old World” Machiavellian Prince. John Adams, for one, confessed that he was a keen “student” of Machiavelli, dubbing him “the restorer of true politics,” and a man who had brought about a “revival of reason in matters of government.” Needless to say, this poses some awkward questions around what Adams lovingly described as “Our pure, virtuous, public spirited federative Republick.”
But Machiavelli was not the only political thinker the American Founders turned to for ideas about how to build a new Republic that would withstand the test of time. In fact, they read just about every author who had written on the rise and fall of states. This poses a range of intriguing historical, political and constitutional questions. For if the nation state that the Americans cobbled together from examples they had found in previous philosophers, political historians and other writers, then how did they come up with the idea for an America that was ‘exceptional’ and hence unique among modern nations?
In this module we will be exploring America’s supposedly “exceptional” liberal tradition, destined by God himself to thrive for ever in a Republic beyond the reach of despotism, in which governments exists solely because they derive “their just powers from the consent of the governed.” And yet for many outside America, it is a nation that is socially, racially, economically, politically, ecologically, and morally broken. That said, America put humans on the moon (surely for some good reason) and relieved the world of many a dictator (though often not for legitimate reasons). And those who like to take aim at America’s social deprivation and capitalist greed, need to explain why socialism never even came close to getting a foothold in the country.
In this module we will be looking at how the nation that arose from the American Revolution and subsequently put its undisputable mark on the course of history (for better or for worse), comes across to many non-Americans as a phenomenon that is self-contradictory, if not wholly irrational. For that reason, this module sits at the confluence of political idealism and historical experience. Methodologically, the topic is wedged between the history of ideas and what may be described the history of fact or event.
Learning Outcomes
On successful completion of this module, students will:
• Be able to integrate the history and politics of the US within world historical, political and cultural developments, particularly within a transatlantic context
• Be able to recognize recognize the key social and political events that marked the settlement of the Americas and the creation of the United States
• have gained an understanding of the processes of colonization, nationhood, and identity formation in the context of the America
• will be able to negotiate the different disciplinary aims and methodologies of the history of ideas and history proper
• will have an understanding of the interdependent relation between a nation’s—notably America—ideas and ideologies on the one hand, and historical event and experience on the other
Skills
• are able to use primary sources in fashioning arguments
• are able to analyze and interpret historiographical, literary, sociopolitical and philosophical sources as well as cultural artefacts
• can make constructive contributions to class discussions and reproduce relevant material under exam conditions
• have some grasp of how to situate their own interpretations of this period in a broader historiographical fabric have improved oral and writing skills
• Students will learn to build these sources first into their essay, and then into their take-home exam essays.
Drawing on contemporary theories regarding new national and postcolonial literatures, this module will introduce students to post-independence Indian literature in English through a selection of texts including fiction, poetry, drama, travel writing and journalism. These will be accompanied by critical readings and discussions engaging with issues such as the role of English in India; the politics of nationalism, regionalism, caste and gender in contemporary India; India’s global reach and its (literary) diaspora; as well as current media and travel writing in India. While the emphasis will be placed on canonical literary texts (in printed form), other materials such as film, media, and internet resources will be used to complement and contextualise these literary works.
Learning Outcomes
Students will gain a broad understanding of contemporary Indian literature within a framework provided by current critical theories regarding new national and postcolonial literatures.
Skills
This module will develop the following skills:
- ability to engage in literary analysis
- the ability to understand and use current critical theories (specifically those relating to postcolonial and new national literatures in English)
- the ability to closely work with peers through group discussion
- oral engagement through discussion and class presentation
- formal written presentation of individual research work in the area
This module examines in depth the work of two major twentieth-century American poets: Wallace Stevens and Elizabeth Bishop. The work of the module will divide evenly between the two writers, with the first five weeks concentrating on Stevens and the second five on Bishop. Students will engage with two main texts (the collected poems of each poet) and assess their writings either in terms of individual collections or as examples of a longer career in poetry.
Learning Outcomes
Having completed this module, students should have a thorough knowledge of the work of both Wallace Stevens and Elizabeth Bishop within a range of particular contexts: their connection to other poetic movements or schools or traditions; their place within a canon of twentieth-century American poetry; their relation to philosophical movements, both within the United States and further afield; and of how their poems work as poetry. They will also be familiar with other examples of Stevens’ and Bishop’s writing, whether in the form of letters, essays, or in prose and how these assist in the understanding of their poetry within related contexts.
Skills
Students will develop the ability to read and critically analyse poetry in a range of forms and modes: short poems; philosophical poems; narrative poems; long poems. Their skills in assessing fundamental examples of twentieth-century American poetry between 1923 and 1976 will be enhanced by a range of approaches: comparing poems by Stevens or by Bishop from across her/his oeuvre, and/or by comparing the work of both writers; by reading their work in relation to key critical and contextual understandings of their contemporary moments (Modernism, late Modernism, World Wars 1 and 2, the Depression, the Middle Generation). Students taking this module will develop an appreciation of poetry on its own terms as exemplified by two giants of the form in the United States.
This module explores Ireland’s unique contribution to the Gothic through an extraordinary range of texts that encompasses classics of the genre (such as Bram Stoker’s Dracula) alongside lesser-known writers such as Gerald Griffin and James Clarence Mangan. Whilst the reading for the module exemplifies the formal diversity of the genre, particular emphasis is placed on the accelerating use of the short story as a literary vehicle for terror (notably in the work of Sheridan Le Fanu and Elizabeth Bowen). The module pursues several interrelated lines of intellectual inquiry: the longstanding perception of Ireland as a site of Gothic horror; the role of Gaelic folklore and myth in creating supernatural terror; the reception and development of Gothic themes in Irish writing; and current critical debates in the field. In tracing the widespread prevalence of Gothic motifs and themes, the module seeks to delineate the contours of a distinctive aesthetic, and reflects on questions of colonial and gender politics, as well as dilemmas of national and sexual identities as they appear in the dark glass of Irish Gothic writing.
Learning Outcomes
On completing this module, students should have a thorough knowledge of the Gothic genre as it developed in Irish writing, and be able to identify and expand upon the distinctive formal and thematic features of this literary tradition. Students should also be able to situate texts in a range of relevant contexts, relating Gothic motifs and themes to the historical and cultural particularities of their production. Students should also gain good understanding of the current critical debates surrounding Irish Gothic writing.
Skills
Over the course of the module, students should develop/acquire the following skills:
• to analyse primary and secondary material in a scholarly manner;
• to research appropriate critical and historical material on any given literary topic;
• to edit and present scholarly arguments and literary analyses to peers;
• to negotiate a ranging critical field, and situate in relation to it their own analytical perspective.
Speech Worlds: Phonological Acquisition, Variation and Disorder
Overview
The module focuses on four main areas of phonetics. First, you will refine your existing skills in phonetic description and transcription by expanding your knowledge of articulatory categories and distinctions. We then examine methods of profiling speakers' phonetic and phonological systems, using a range of appropriate models. The third component of the module concentrates on intonational aspects of speech. Here, we will examine recent theoretical developments alongside traditional accounts, and we will assess the role of intonation in various communicative situations. Finally, you will gain knowledge of and practical ability in the acoustic analysis of speech. Building on the basic acoustic skills you acquired in Patterns of Spoken English, you will now move on to understand the role of instrumental analysis in the quantification of speech production characteristics. In each of these four areas, we will analyse speech from a wide range of contexts, including disordered speech and children's speech. Throughout the module, you will be encouraged to develop your aural phonetic skills by means of an audio-tape, specifically designed to accompany the course, along with CD-ROM packages.
Learning Outcomes
This module should equip you with a firm understanding of the role of advanced phonetic study in assessing and profiling speech. You should be in a position to undertake a detailed analysis of a speaker's output and to account for breakdowns in speech production using appropriate and informed explanations. Your experience of this module should encourage you to appreciate the value of detailed phonetic knowledge in, for example, English teaching where a detailed understanding of oracy skills can be central to educational development, in foreign language teaching and learning, and in clinical speech contexts.
Skills
The central aim of this module is to develop your theoretical and practical skills in phonetics. We will achieve this aim by examining the processes involved in the production of speech and describing/ transcribing them in detail; by understanding and evaluating models for phonetic analysis; by applying phonetic and phonological analysis as a means of understanding the structure of normal and disordered speech, and by using techniques of acoustic analysis in investigating phonetic data.
War, Politics, and Identity in Late Medieval Ireland, c.1166-c.1521
Overview
This module explores the politics and culture of Ireland during the later medieval period. The module begins by assessing the state of Irish politics on the eve of the Anglo-Norman (or English) invasion of 1169. The course then charts the expansion and consolidation of English power during the later twelfth and thirteenth centuries before investigating the political and military recovery of the Gaelic Irish aristocracy during the fourteenth and fifteenth centuries. The module pays close attention to the themes of ethnicity and identity formation. It examines how growing interaction between the Irish and English (as well as interactions with the Scots and Welsh) shaped attitudes towards being ‘Irish’ and being ‘English’ in late medieval Ireland. Students will also consider key events such as King John’s expedition of 1210, the Bruce invasions, the Black Death, Richard II’s expedition, the Wars of the Roses, and the impact of the Renaissance. The module concludes by examining the advent of the Tudors and the beginning of early modernity in Ireland. During the course, students will engage with a range of debates on the history and culture of late medieval Ireland. They will also be introduced to a rich meld of primary source material including Irish annals, bardic poetry, genealogical material, as well as English sources such as governmental records and chronicles.
Learning Outcomes
Upon successful completion of this module, students should be able to:
• Demonstrate a detailed knowledge of how Irish politics evolved c.1166-1521
• Discuss how scholarship has evolved on medieval Irish history
• Think critically about some of the main political, economic, social, and environmental factors shaping Irish history in this period
• Communicate ideas to others in a clear and concise manner, in both oral and written form
Skills
Upon successful completion of this module students will have:
• Enhanced their critical and analytical skills through close readings of primary sources.
• Completed a detailed literature review of the main debates in the secondary literature.
• Employed library skills to prepare assignments and research.
• Developed a greater degree of self-directed learning.
• Enhanced their oral and written presentation skills.
The American Civil War and Reconstruction, 1860-1877
Overview
Against the backdrop of increasing tensions over slavery, Abraham Lincoln posed the question in 1855 of whether the United States could “as a nation, continue together permanently—forever—half slave and half free.” The answer came in 1861, when war broke out between the federal government at Washington and the newly seceded Confederacy. The American Civil War and the period of Reconstruction that followed are sometimes referred to by historians as a “Second American Revolution”: together they constitute one of the most dramatic social upheavals of the nineteenth century world, and their outcome established the foundations upon which—for better or worse—the modern United States would be built.
Making use of a range of primary sources and some of the best recent scholarship in the vibrant field of Civil War & Reconstruction historiography, we will approach the events through close examination of key historical problems: sectionalism and the causes of war; Lincoln, war and emancipation; slavery and grand strategy, North and South; and Reconstruction & the limits of black freedom.
Learning Outcomes
To explore and understand this critical period in the history of the United States.
Skills
The ability to analyse and explain both orally and on paper, the complex issues relating to this topic.
This is a Special Topic module offered by a visiting Fulbright Distinguished Scholar in Creative Writing. The contents of the module, which will change on an annual basis, depending on the area of creative writing expertise of the Visiting Scholar, will provide an opportunity for students to work on a specific aspect of creative writing. The specific module content will be announced as early as possible each academic year. Students who sign up for this module will, as normal, have the right to switch to another module if the content does not suit their academic plans.
Learning Outcomes
On successful completion of this module students will have examined an aspect of creative writing and will have written extensively in the appropriate form or genre. Objectivity about their own creative practice will have been further fostered by the writing of a self-reflexive commentary to accompany their final submission. Students should have come some way towards developing their own creative voice.
The module will examine the rise of Protestantism in the early modern period (1517-1740), from the onset of the Reformation in Germany and Switzerland to the spread of the movement throughout Europe and America to the eve of the mainstream Enlightenment.
Learning Outcomes
To introduce students to history of confessional development in Europe; to encourage critical thought.
Skills
Analysis of textual evidence (primary and secondary) and the ability to formulate arguments in written and oral form.
Writing Africa: The Colonial Past to Colonial Present
Overview
This module provides an overview of Anglophone prose fiction from and about the African continent, from the late 19th century to the present. Beginning with texts written at the height of British imperial power, the course charts imperial decline and decolonisation through literary eyes. Coming to focus on the African novel in English, students will study major concepts and debates in colonial and postcolonial studies and, by interrogating globalisation and the ‘colonial present’, will reflect critically on postcolonial theory itself. This course is structured around five themes: 1) Adventure, Exploration, Empire 2) Imperial Decline 3) Decolonisation: The Rise of the African Novel 4) Gender, Trauma, Conflict 5) Postcolonialism or Neo-imperialism
Learning Outcomes
By the end of this module, students will have analysed a range of colonial and postcolonial fiction set in sub-Saharan Africa, from the Victorian period to the present. They will have engaged critically with key debates in colonial and postcolonial studies concerning language, identity and representation, and applied these to course texts. Students will have extended their knowledge and understanding of module themes (including colonialism, decolonisation, postcolonialism, globalisation and neo-imperialism), and developed an informed critical vocabulary for the examination of colonial and postcolonial literatures.
Skills
On completing this module students will be able to:
• articulate their knowledge and understanding of colonialism, decolonisation, postcolonialism, globalisation and neo-imperialism
• analyse and evaluate key critical terms, and deploy an informed vocabulary for the examination of colonial and postcolonial literature
• demonstrate an ability to work with secondary materials
• identify independent research questions (having selected their own essay and presentation topics)
• display transferable skills in group discussion, written communication and oral presentation
• demonstrate skills in using online research and learning resources effectively (having participated in a digital resources workshop)
The Rise of Christianity 2: The Conversion of the Roman Empire
Overview
A study of the growth of the Christian community within the Roman world from the destruction of the Temple in Jerusalem (AD 70) to the death of Constantine the Great (AD 337). Students will assess the variety and character of early Christian teaching; the appearance and definition of heresies; the literary interaction between the upholders of Roman religio and Christians; the nature and extent of persecution within the Roman empire; the conversion of Constantine the Great (c. AD 312) and its significance for the Roman empire.
Learning Outcomes
To understand the methods used for the resconstruction of an historical topic and acquire advanced perspectives of early Christianity in its Roman context.
Skills
Advanced development of skills of analysis and evaluation, in particular the organization and interpretation of widely scattered and frequently fragmentary source material.
This module provides an opportunity for student to utilise disciplinary skills in a work-based environment within the context of reflective practice. Students will negotiate suitable placements in consultation with their academic supervisor and participate in a programme of related classes and events. Simulated work-based projects in which students work in groups with the support of the university’s Enterprise Unit in the Students’ Union are also possible.
Learning Outcomes
On completion of this module, students should have:
Increased ability to relate academic theory to the work environment
A developed understanding of the organisational culture, policies and processes
The ability to reflexively and critically evaluate their own learning from the placement
An appreciation of enterprise and innnovation
Enhanced career knowledge
Skills
Employability skills, including effective communication, teamworking and problem-solving.
The module will explore revolutionary politics in Ireland between 1916 and 1921. Key themes will include the rise of Sinn Fein following the Easter Rising, the establishment of Dail Eireann, the Irish Volunteers' military campaign and the British government's response to these political and military challenges. The course will make use of a wide range of local and thematic studies to investigate controversial questions relating to the Irish revolution: what factors motivated republicans, how important was sectarianism in revolutionary violence, why did some areas of the country see little fighting and how important a factor was the north?
Learning Outcomes
An ability to identify the key issues and themes of this period. An understanding of the importance of the economic, social and cultural forces which contributed to the political events of this period. An ability to assess and evaluate a range of approaches to the key controversies relating to the Irish revolution. An understanding of the historiography of the Irish Revolution.
Skills
The ability to demonstrate an argument based on study of documents and secondary readings in a written essay and examination paper. Oral participation in tutorials through debate and presentations. Assessing and evaluating conflicting arguments in the secondary literature.
The political, social, economic and international conditions leading to Bolshevik success after 1917; the nature of the Soviet state as evolving under Lenin ; the evolution of Stalin's personal rule and the Stalinist system; the nature and limits of de-stalinization under Kruschchev.
Learning Outcomes
To understand the Bolshevik takeover of Russia, the adaption of Marxism to Russian conditions and the adjustment of the peoples of Russia to such circumstances.
Skills
To discover, assess and select evidence mainly from secondary sources, to interpret and evaluate this material, to envisage the ways of thinking in a very different environment.
Students will undertake a piece of independent research and write a dissertation presenting that research and their conclusions. They will have the guidance of a tutor, but the emphasis is on their own independent research and writing. There should be no overlap between the chosen topic and work done for other modules. Students will be expected to develop and exhibit suitable theoretical and methodological frameworks for their chosen topic.
Learning Outcomes
The module will provide an opportunity to explore, to investigate and to identify themes for research within English. Students will be able to draw from a variety of theoretical, textual, analytical techniques, to examine and evaluate a given research problem.
Skills
By the end of the module students will:\n\nhave a developed critical understanding of an area of literary study;\n\nhave developed the skills needed to conduct an independent line of research;\n\nbe able to write a cogent, well-illustrated dissertation, which displays originality of consistent thinking and application of ideas, concepts and theories.
Extermination: History and Memory of the Murdered Jews of Europe
Overview
This is a final-year UG taught module devoted to the destruction of European Jewry during the Second World War. The module will treat separately the following components of the history and memory of an event often referred to as the Holocaust or Shoah, but here called “the Extermination”: 1. The origins of the Jewish peoples some 5,000 years ago and their eventual settlement in North Africa and Europe near the end of the Ancient period. 2. The flowering of Jewish culture in the Middle Ages and Early Modern periods. 3. The growth of antisemitism and anti-Jewish pogroms across Europe from the late 19th C., spawning successive waves of emigration. 4. The peculiar qualities of Nazified antisemitism in Germany from 1933, included the piecemeal and soon wholesale denial of civil rights for German Jews. 5. Wartime escalation of the persecution of Jews, both in Germany and across occupied Europe. 6. The transition to ghettoization, and then extermination, resulting in the murder of six million Jewish persons by spring 1945. 7. The implication in the Extermination of a wide array of collaborators beyond Nazi Germans, including bystanders, neighbors, neutral governments and the Allies. 8. Post-1945 memory wars, stalled attempts at reparations and restitutions, and the creation of public history research centers and memorials. 9. The struggles to represent the Extermination, on the stage, in the cinema, on the page and in other media. 10. The more recent biological imperative for historians to reinvent Holocaust Studies as the last wartime survivors and eyewitnesses die out.
Learning Outcomes
* an understanding of the destruction of the Jews of Europe between 1939 and 1945, in the context of previous and later historical developments * knowledge of a variety of historical sources from this period, including official documents and the press, memoirs, novels, films and images, as well as with secondary materials and historiographical debates appearing books and articles * knowledge of the wartime European political regimes and their ideologies that gave rise to exterminationist antisemitism * an understanding of the outlook and experiences of various sectors of Jewish society over the course of WWII, including women and children * an understanding of the post-war emergence of Holocaust studies and the various ways that the Extermination was remembered, memorialised, but also trivialised and falsified * an appreciation of the depths of the problems of representation, on the screen and on the page, as well as in other forms of representation * an understanding of the key role of survivor testimonies in creating narratives of the Extermination, and the current crises of transition to a post-survivor re-invention of Holocaust studies.
Skills
* to promote the development of key skills required to study history effectively * the ability to identify and select information relevant to the topic area from a variety of sources * the ability to analyse and evaluate evidence and argument * the ability to present your own arguments in essays, using appropriate evidence to support your views * the ability to work effectively within a group, making appropriate contributions to discussions, debates and tasks, as well as contributing and presenting a small group presentation * to hone public speaking skills and confidence, through discussions, debates and presentations
To understand the most terrible historical moment in modern Irish history. This single-semester module is concerned with one of the great climacteric episodes in Irish history. The demographic, economic, social and political events of the period 1845-49 will be studied in detail. Considerable attention will also be paid to the decades preceding the Great Famine, in an attempt to answer the question: "was the Great Famine inevitable?" Similarly, consideration will be given to the longer-term economic, social and political consequences of the Great Famine. This is a tutorial-led module and will employ a purpose-designed tutorial handbook.
Learning Outcomes
To understand the most terrible historical moment in modern Irish history.
Skills
The analysis of historical problems; critical evaluation of facts and arguments; the interpretation of primary historical evidence; practice in constructing and writing informed and literate essays; verbal presentation and group work.
Wolf Children and Baby Boomers: The Family in European History 1945-1970s
Overview
The Second World War caused enormous upheaval to families across Europe, separating parents and children as well as couples and resulting in an estimated 11 million children having lost one or more parents by 1945. The project of the reconstruction of post-war Western European society placed a huge emphasis on reuniting families, where possible, and reconstructing the so-called traditional family. As the Cold War took hold, the idea of the ‘traditional’ – nuclear, Christian – family also came to be seen as a bulwark against the threat of Communism. However the return to traditional family life after 1945 was in large part an illusion, since the impact of war was so deep that there could be no return to normal. The long separation of war put enormous strain on the couples and families who were reunited, while aerial bombardment meant that millions had lost their homes: separation, divorce and single mothers were common features of the late 1940s. The war also changed how psychologists thought about parents and children: witnessing the trauma of children in war sparked a new focus on children and childhood in psychoanalysis.
By the 1950s, Western European society was also being transformed in new ways: migration was transforming European cities into modern, multicultural spaces, while villages and farmlands across Europe were being emptied of people. The scale of social change meant that political and religious authorities also felt the so-called traditional family to be under threat, prompting moral panics about women and youth. By the late 1960s, it was clear that the ‘traditional family’ of conservative, Christian rhetoric was deeply out of touch with reality. The ‘sexual revolution’ of the 1960s gave way to wide-scale youth revolt by the end of the decade. The 1968 protests which erupted across schools and universities in France, Italy, West Germany and beyond, were above all a generational rebellion. The second-wave feminist and gay liberation movements of the 1970s continued their radical critique of the family, suggesting new communal forms of living were the answer.
This module will examine the political importance of the family in the post-war reconstruction and the Cold War, setting the rhetoric of political and religious leaders against the reality of changing family life, while exploring how new ideas of family life emerged in the 1960s and 1970s. We will draw on the history of the emotions to discuss changing family relationships. We will also examine how ideas about children, childhood and adolescence changed over the late twentieth century from the fears about feral ‘wolf children’ playing in the rubble of bombed cities to the emergence of the teenager in the 1960s. While the focus will be on Western Europe, with case studies drawn from France, Britain, Italy and West Germany, we will also examine the alternative ways of thinking about the family that emerged from communism. Tutorials will focus on source analysis and discussion: primary sources will be drawn from newspapers, political posters, novels, memoirs and films as well as manifestos and oral history interviews.
Weekly topics may include:
Displaced children after 1945
Returning veterans and post-war families
The family as Cold War propaganda
Moral panics about 1950s youth
Race, migration and multiculturalism in Britain and France
Migration and the family in southern Europe
Radical ideas about family in 1960s Italy and West Germany
Learning Outcomes
Aims
• Explore a variety of approaches to the history of the family, as they apply to late twentieth-century Europe.
• Examine the history of family life in late twentieth-century Europe as it intersects with cultural, social and political developments in history from the impact of World War II, the rise of consumer society, developments in medicine and technology to the rise of youth cultures, counter cultures and protest movements.
• Prompt reflection and debate about how and why the private, intimate sphere of family life can become the subject of political and religious concern.
Objectives
Having successfully completed the module, you should be able to:
• Understand the different methodological approaches to the modern history of the family.
• Demonstrate familiarity with a variety of different types of primary sources including personal testimonies, manifestos, fiction and mass media sources such as film, magazines and documentaries.
• Discuss how commercial, religious and political forces have shaped people’s attitudes to family life, emotions and relationships over the course of the late twentieth century.
• Be able to draw connections and comparisons across time and space, using the case studies covered in the module.
Skills
In completing this module you will develop the following skills:
• Analysing and discussing a range of primary sources in textual, visual and audio-visual forms
• Working individually and as part of a group to analyse sources and readings, and to present historical arguments
• Examining and evaluating the arguments of other historians
• Presenting your arguments and analyses in written form
Sin Cities? Everyday Life in the Modern Metropolis
Overview
What, when and - perhaps most importantly - where was modernity? Were cities merely the inactive sites or containers of emerging economic, social and cultural processes, or was urbanity a fundamental part of what it meant to be living in a ‘modern age’? ‘Sin Cities’ explores these questions through the study of metropolitan centres in the Western world between c.1880-1939. You will be taken through urban life in places such as London, New York, Paris and Berlin – and the pleasures, anxieties and identities that they came to represent.
The course begins with the late-nineteenth century growth of both academic and popular belief in the idea that cities were now somehow different to what had come before – new, shocking, and possibly the end (or maybe the beginning?) of Western society. Following lectures and tutorials range widely across a diverse field of analytical approaches and topics, including: sexuality sub-cultures; shopping and entertainment; miscegenation and ‘slumming’; prostitution and ‘sexual danger’; and the rise of urban sociology. We will end the module by debating the importance of the ‘urban variable’, and its value as a distinct category of historical analysis.
Learning Outcomes
i) Students will acquire knowledge and understanding of urban history as a specific discipline.
ii) Students will be able to critique the concept of ‘modernity’ in a Western framework.
ii) Students will hone their capability to understand different theoretical approaches (gender, class, sexuality) relevant to social history more broadly.
iv) Students will be able to understand the history of different countries in a comparative framework.
Skills
i) Students will enhance their ability to critically analyse different primary sources in connection with secondary literature.
ii) Students will increase their confidence and ability to orally present analysis and argument, working in groups.
iii) Students will increase their ability to organise and synthesise secondary literature in a coherent argument.
There is a complicated and academically understudied history between African-descended peoples and Irish immigrants in the Americas. Both populations experienced the effects of colonization and displacement in their native lands and discrimination and exploitation in the “New World.” The web of relations between Africans and Irish people, however, was multifaceted. There are numerous examples of Irish-descended individuals who fell along the spectrum from enslavers to overseers to anti-slavery advocates to allies and countless other roles.
This module will employ a comparative lens and will be particularly focused on two Deep South cities in North America, New Orleans and Natchez, and a Caribbean island (TBD), all with vibrant Black and Irish populations. New Orleans contained the largest slave market in the 19th century US and a robust free Black population. Natchez, Mississippi held the second-largest slave market during the same period and the biggest population of free Black people in that state, although much smaller than New Orlean’s. All three places also had Irish immigrant communities. We will explore the linkages between Irish-descended immigrants and free and enslaved Africans and African Americans in these places to flesh out some of the intertwined dimensions of their relationships. The module will be informed by the growing historiography of this pointed topic while being grounded in the rich literature of studies of slavery and freedom in the regions. Students will heavily engage in rich and relevant primary source materials.
Learning Outcomes
After completion of this module, students will have:
A broad understanding of major trends in the historiography of the patterns of forced and voluntary migration to the Deep South and Caribbean and the development of these regions into slave societies.
An understanding of the intricacies of relationships between Africans and Irish-descended people within these societies.
An understanding of the socially-constructed and shifting nature of racial and ethnic ideology in these locales in the Americas.
Skills
Students will speak and write with fluency about the key developments within this historiographical field.
Students will analytically review a relevant book in this field.
Students will critically evaluate primary documents and understand their importance for reconstructing the past.
Students will assess the quality of a range of online resources and make use of them in an historical essay.
Students will recognize and evaluate interpretive differences in historical writing on the subject.
Students will plan and implement an extended research project on a centrally related theme.
United Irishmen and Unionists: the religion and politics of Ulster protestants
Overview
This course considers the religion and politics of protestants in Ulster from the eighteenth to the twentieth century. It examines the interplay of religious, social, and political developments by considering a number of themes. These include, the formation of the United Irishmen and the 1798 rebellion, the rise and significance of evangelicalism, the response of churches to urban growth and industrialisation, religious revivalism and missionary activity, the development of unionist politics, and church-state relations in Northern Ireland. Students will be encouraged to place Irish developments in a broader context. They will encounter a range of primary source material including pamphlets, newspapers, sermons, and official reports.
Learning Outcomes
An understanding of the relationships between the religion and politics of protestants in the north of Ireland.
An ability to engage with the most important historiographical debates relating to the subject-matter of the module.
An ability to evaluate critically, and place in their particular historical context, primary documentary sources relating to the subject-matter of the module.
An ability to write an informed analysis of the historical problems discussed in the module.
Skills
Enhanced ability to think critically, reason logically, and work independently.
Further develop communication skills, both written and oral.
Critical appraisal of, engagement with, and effective use of a variety of historical sources.
This module examines contemporary (twenty-first century) novels set during the period 1660-1820: from the Restoration of Charles II to the Regency era popularly associated with Jane Austen. These works form part of the boom in ‘historical fiction’, a branch of the novel genre that dates at least as far back as Walter Scott’s Waverley (1814) but which has gained renewed popularity and prestige in recent years. By examining narratives set during a specific time-period, the module assesses the strengths and limitations of historical fiction, the reasons for its cultural and commercial purchase, its relationship to the past and to our contemporary moment, and the usefulness of the term ‘historical fiction’ itself. ‘Historical fiction’ encompasses a variety of modes, sub-genres and aesthetic categories, and the module addresses examples of ‘popular’, mass-market fiction and ‘literary’ (highbrow) fiction; intersections with other novelistic forms (such as crime, mystery and fantasy fiction); and the place within historical fiction of literary adaptations (of Austen’s novels especially). Historical fiction often returns to familiar motifs and historical events – such as the Napoleonic Wars or the decade of the 1660s, which saw the return of the monarchy, the spread of plague and the Great Fire of London. At the same time, contemporary writers have also revisited this period in order to recover marginalised voices: to reclaim, and re-imagine, historical identities in relation to gender, sexuality, race and class. Among other elements, we will consider narratives that focus on servants and slaves, and that explore such topics as crime and the city; social hierarchy and the status of women; empire and national identity; fact, fiction and historical ‘truth’. Via a dual focus on history and the present, the module will thus ask what contemporary fiction tells us about our understanding of the past, and about our own contemporary concerns, anxieties, and obsessions.
Learning Outcomes
Having completed this module, students will have developed higher-level knowledge and understanding of contemporary ‘historical fiction’, in relation to the specific time-period 1660-1820. They will be able to identify and articulate the key critical and theoretical issues surrounding this body of fiction, such as the relationships between narrative, history and ‘the past’; fact, fiction, and historical ‘truth’. They will be equipped to distinguish different kinds of historical fiction and the various genres and modes in operation within these novels: popular vs ‘literary’ fiction; crime, mystery and fantasy; the role of literary adaptation. They will be able to situate recent historical fiction in relation to earlier novels and the history of the (sub-)genre. On completion of the module, they will be more fully attuned to the limitations and risks, popular appeal and value of contemporary historical novels, with particular regard to the period from the Restoration of 1660 to the end of the Regency era.
Skills
Having completed this module students will be able to:
• Analyse contemporary works of historical fiction in terms of genre, technique, readerships, and constructions of the past
• Demonstrate understanding of the various ways in which contemporary novelists have conceived and depicted the period 1660-1820
• Adjudicate critical and theoretical ideas regarding the relationships between fact and fiction, narrative and history within this literature
• Demonstrate understanding of the ‘politics’ of historical fiction, with regard to the voicing of the historically marginalised and the investigation of personal and group identities in terms of gender, sexuality, race and class
• Demonstrate transferrable skills in the forms of group discussion, written communication, and individual research
Contemporary Irish and Scottish Fiction Devolutionary Identities
Overview
The past decades have not only seen an increasing interest in the historical, political and economic crosscurrents between Scotland and Ireland, but they have also witnessed a remarkable literary renaissance on both sides of the Irish Sea. This course explores the transformed literary landscape of Irish and Scottish fiction since the 1980s in relation to the (d)evolutionary processes of cultural and social change in today’s Atlantic archipelago, concerning in particular the Irish Republic’s economic boom in the 1990s (commonly referred to as the ‘Celtic Tiger’), the Peace Process in Northern Ireland, and the movement towards the reconstitution of the Scottish Parliament. We will examine how these changes and the issues that they raise are reflected in an indicative selection of Irish, Northern Irish, and Scottish novels, focusing on the relationship between the formal and stylistic experiments often found in these writings and the concepts of identity, society, the nation, history, and gender that they draw on, resist, and/or give rise to. In this respect, we will pay due attention to ideas about the role of literature, gender, sexuality, class, race, and religion in the (re)construction of national identity; questions of power, authority and authenticity, and the impact of globalization on cultural production; the politics of place and the rural/urban divide; revisions and representations of history, and issues of trauma and memory; the literary use of non-standard English; narrative tropes, techniques, and typographic experiments.
This course aims to establish a comparative framework in order to trace the shared concerns and noteworthy differences that characterise and constitute a significant part of the contemporary Irish and Scottish literary scene. It is designed to introduce students to dominant critical and literary paradigms as well as key debates in Irish and Scottish Studies raised by postcolonialism, postmodernism, (post-) nationalism, gender studies, and feminism. To that end, literary texts will be read alongside theoretical and cultural perspectives in both fields, copies of which will be provided in a course reader.
Learning Outcomes
By the end of the module, students will have gained a in-depth knowledge of 11 Irish and Scottish novels and developed an understanding of the corpus of, and crosscurrents between, contemporary Scottish and Irish fiction. The module will introduce students to dominant critical and literary paradigms as well as key debates in Irish and Scottish Studies raised by postcolonialism, postmodernism, (post-) nationalism, gender studies, and feminism. They will be able to apply the knowledge they have gained in textual analysis of contemporary Irish and Scottish fiction, expanding their sense of new developments in subject matter, literary technique, and language use.
Skills
Students will gain a range of subject-specific, intellectual, practical and transferable skills: they will develop their critical assessment of texts and gain deeper analytic and textual competence. They will also hone their presentation and writing skills and learn to present and discuss complex issues with clarity and cogency, both orally and in writing, write clearly and succinctly, and organise study time effectively.
An examination of the Thatcher era (1979-1990) from political, cultural, social, intellectual and international perspectives. The module will also consider the longer-term, post-1945, development of Thatcherism and its legacy in the 1990s. Topics to be considered include: race and national identity; Britain and the wider world; devolution and local government; economics; party and identity politics; urban unrest; and debates over the nuclear deterrent.
Learning Outcomes
On completion of this module, students should be able to demonstrate: 1) knowledge of the main developments of the Thatcher era, both in outline and fine detail; 2) an understanding of the deeper, and longer-term, changes occurring in British politics, society and culture after 1945; 3) an ability to engage with the relevant historiographical debates; 4) an ability to analyse a range of relevant primary sources; 5) an appreciation of the distinctive challenges of contemporary history.
Skills
On completion of this module, students should have acquired the following skills: 1) an increased ability critically to engage with historiography; 2) an increased ability to analyse primary sources; 3) an increased ability to develop an argument in written and oral forms.
This module will focus on various crimes and different forms of punishment in nineteenth-century Ireland. It will consider offences against property and the person, including political offences, arson, murder, infanticide, domestic and child abuse, prostitution and sex offences. The punishment of criminals changed significantly during the nineteenth century and included execution, transportation, and imprisonment. Other suspects were deemed to be insane and were transferred to the so-called lunatic asylum. Much attention was devoted to the ways in which criminals could be punished and reformed before being safely released back into society. In this module, students will explore how female and male suspects, criminals and convicts were treated during this period. Emphasis will also be placed on the interpretation of primary source material relating to crime and punishment in nineteenth-century Ireland.
Learning Outcomes
On completion of this module, the successful student should be able to: Outline motives for and consequences of various criminal offences; Identify, describe and assess ways that criminals and convicts were punished in nineteenth-century Ireland; Locate, question and interpret nineteenth-century sources relating to crime and punishment; Identify how the Irish experience of crime and punishment compared to other countries; Present work in written form for different audiences and develop additional transferable skills such as team-working and quantitative research skills.
Skills
Analytical skills; Research skills; Written and oral communication skills; Debating skills; Quantitative methods skills; Computer skills; Group work skills; Peer assessment skills.
Love Across the Divide: Northern Irish Literature and Culture 1968-Present
Overview
This module examines how Northern Irish texts, from 1968 to the present, engage with the ‘Troubles’ through the motif of ‘Love Across the Divide’. The attempt to negotiate the perennially fraught Anglo-Irish relationship through an Irish/British, Catholic/Protestant or Republican/Loyalist love story has a long literary history: and took on renewed urgency after the eruption of violence in the late 1960s. Exploration of this narrative trope illuminates the roles that gender, sexuality, ethnicity, religion, politics and class play in shaping individual, cultural and national identities. Students will study a wide variety of materials, including poetry, novels, plays, short fiction, TV & Film, to ask if the motif is mobilised differently across literary and/or cultural forms and if so, how and why? What do these narratives tell us about the progress (or lack of) with regards to women’s rights and gender politics in Northern Ireland? How should we read narratives exploring homosexual romance in a province where same-sex marriage is still prohibited? In thinking about how the conflict and its legacy have impacted on the most secret, intimate and surprising of things – sexual desire – students will be critically equipped to scrutinize the domestic debris of the ‘Troubles’.
Learning Outcomes
On successful completion of this module the student should be able to:
1. Discuss and evaluate a broad range of Northern Irish literary and cultural texts from the period studied.
2. Show an awareness of the historical and intellectual contexts to Northern Irish Literature, Culture and the Troubles.
3. Discuss differing critical approaches to Northern Irish literature and culture.
4. Think critically about the intersectional nature of identity, and the role that gender, sexuality, politics, religion, ethnicity and religion play in shaping our lives.
5. Comment upon the representation of the evolving political landscape and gendered nature of life in Northern Ireland from 1968 to the present.
6. Analyse how gender, sexual identity and desire can be politicised.
7. Reflect on the domestic impact of the violence and conflict of the ‘Troubles’.
Skills
Having completed this module students will be able to:
• Analyse texts from contemporary Northern Irish literature and culture with regards to their aesthetic, political and historical contexts;
• Demonstrate an understanding of the ‘politics’ of contemporary Northern Irish literature and culture;
• Critically appraise how identity is ‘intersectional’ with regard to ethnicity, religion, gender, sexuality, race and class;
• Demonstrate knowledge as to how the ‘Troubles’ were depicted in contemporary Northern Irish literature and culture, and how their impact can still be traced in the ‘post-Good Friday Agreement’ present;
• Demonstrate transferrable skills in the forms of seminar discussion, written communication, and individual research.
This module offers students the opportunity to explore the syntax and morphology of English. Starting from the insight that sentences have structure, and that all native speakers of English have knowledge of the rules that underlie that structure, this course focuses on the grammatical tools and theoretical concepts that allow us to investigate and describe the nature of our syntactic knowledge. Students are introduced to a basic formal framework for syntactic analysis (a simple phrase-structure model informed by modern Principles-and-Parameters Theory) and the kinds of questions and problems that such a model allows us to address, including those relating to child language acquisition and syntactic variation across different dialects of English. Throughout the course, the emphasis is placed on developing practical skills for data analysis alongside scientific skills of hypothesis formation and argumentation, and on setting the English language within the wider context of human language more generally.
Learning Outcomes
By the end of the module, students will have proficiency in linguistic analysis using a theoretically-informed model of syntactic description, as well as an appreciation of the value of using such a model to discuss and explain not only real language data but also more abstract properties of linguistic competence. On a practical level, students will be able to identify and describe the major types of syntactic categories and constructions in terms of their formal characteristics and structural properties, as well as to manipulate constituents in order to arrive at a structural analysis. They will be equipped to evaluate alternative descriptions and analyses of linguistic phenomena and to argue for (or against) a particular solution to a problem.
Skills
The primary aim of this module is to familiarize students with a basic technical vocabulary and set of descriptive and analytical skills that can be applied to new data sets, including tests for identifying syntactic categories and for determining syntactic structure. A secondary aim is to develop an awareness of the kinds of linguistic facts that can be revealed by a theoretical approach to language involving introspective methods, including grammaticality judgments. In pursuing these aims, our purpose is not only to develop an ability to solve linguistic problems using the tools and concepts provided, but also to gain an understanding of how abstract structural notions can help us to capture and account for often subtle and surprising empirical patterns and generalizations.
This module investigates the making of the Irish diaspora; explores factors that led unprecedented numbers of Irish migrants to permanently leave the country of their birth in the course of the 19th century and comparatively assesses the often challenging experiences of Irish migrants in the leading host societies of Britain, the United States and Australia. It also assesses the Irish migrant outflow against the backdrop of European migration to ascertain the distinctive features of Irish 19th-century migration. Course contents: Week 1 Introduction to migration history Week 2 The Scattering: the Irish case study Week 3 The key features of a diaspora Week 4 Pre-famine migratory patterns Week 5 Famine migration Week 6 Post-famine migration Week 7 Women and Irish migration Week 8 Host society analysis I: Britain Week 9 Host society analysis II: The United States Week 10 Host society analysis III: Australia - convict migration Week 11 Host society analysis IV: Australia - free settler migration
Learning Outcomes
On successful completion of this module, students will:
In Understand the social and economic conditions in Ireland, and in recipient countries over the course of a century; Comprehend why people leave their country of birth; the difficulties and prejudices they often face in their new homelands; and the impact of migration on the place of birth and to the place of destination; Develop a wider and deeper understanding of the experience of Irish migration and the historical debates that surround the Irish diaspora; Understand the occupational and residential distribution of Irish migrants, paying particular attention to regional diversity and gender difference; An Be aware of the comparative aspect of migration studies; AN Be able to investigate migration in a rigorous academic manner Co Communicate historical arguments effectively both orally and in writing Have knowledge of Irish immigrants’ political, cultural and religious affiliation and the complex and problematic questions of ethnic identity, ethnic fade and attitudes to migrant populations which are issues of considerable contemporary resonance.
Skills
Managing and Prioritising Knowledge: identify relevant and subject-specific knowledge, sources and data; manage such information in an independent manner Analytical Thinking: identify, understand, interpret and evaluate relevant subject-specific arguments made by others; construct independent arguments Critical and Independent Thinking: ability to think critically and construct one’s own position in relation to existing and ongoing debates in the field professional and career development skills Communication Skills: ability to communicate clearly with others, both orally and in writing Diversity: ability to acknowledge and be sensitive to the range of cultural differences present in the learning environment Self-Reflexivity: ability to reflect on one’s own progress and identify and act upon one’s own development needs with respect to life-long learning and career development Time Management: ability to negotiate diverse and competing pressures; cope with stress; and achieve a work / life balance Practical and technical skills: demonstrate the knowledge and ability to use contemporary and relevant ICT/historical databases/online archival resources. Organisational skills: Efficient and effective work practice: demonstrate ability to work efficiently to deadlines Clear organisation of information: show efficiency in the organisation of large amounts of complex information and the ability to identify, describe and analyse the key features of the information Organisation and communication: demonstrate ability to use evidence to develop logical and clear arguments; show ability for the effective use of information in a direct and appropriate way Enterprising thinking: Demonstrate ability to think and argue in novel and enterprising ways, to display originality of thought and argument and the ability to clearly support arguments by the use of historical evidence
Students will research and write a dissertation of 10,000-12,000 words on an appropriate subject negotiated with a member of staff.
Learning Outcomes
Students will have gained a detailed knowledge of the secondary literature and primary sources relating to a specific historical problem, and will have acquired first hand experience of the processes involved in producing a piece of historical writing based on primary sources.
Skills
Students will acquire skills in identifying, locating, and gathering information from a variety of sources, in analysing evidence and formulating reasoned conclusions, and in presenting the results of research and analysis in an appropriate format.
ABB including A-level English
Note: for applicants who have not studied A-level English then AS-level English (grade A) would be acceptable in lieu of A-level English.
A maximum of one BTEC/OCR Single Award or AQA Extended Certificate will be accepted as part of an applicant's portfolio of qualifications with a Distinction* being equated to a grade A at A-level and a Distinction being equated to a grade B at A-level.
Irish leaving certificate requirements
H3H3H3H3H3H3/H2H3H3H3H3 including Higher Level grade H3 in English
Access Course
Successful completion of Access Course with an average of 70% including an average of 65% in Literature modules.
International Baccalaureate Diploma
33 points overall, including 6(English),5,5 at Higher Level.
Graduate
A minimum of a 2:2 Honours Degree, provided any subject requirement is also met
Note
All applicants must have GCSE English Language grade C/4 or an equivalent qualification acceptable to the University.
How we choose our students
Applications are dealt with centrally by the Admissions and Access Service rather than by individual University Schools. Once your on-line form has been processed by UCAS and forwarded to Queen's, an acknowledgement is normally sent within two weeks of its receipt at the University.
Selection is on the basis of the information provided on your UCAS form. Decisions are made on an ongoing basis and will be notified to you via UCAS.
For last year's intake, applicants for this BA programme offering A-level/BTEC Level 3 qualifications must have had, or been able to achieve, a minimum of five GCSE passes at grade C/4 or better (to include English Language). Performance in any AS or A-level examinations already completed would also have been taken into account and the Selector checks that any specific entry requirements in terms of GCSE and/or A-level subjects can be fulfilled.
For applicants offering Irish Leaving Certificate, please note that performance at Irish Junior Certificate (IJC) is taken into account. For last year’s entry applicants for this degree must have had, a minimum of 5 IJC grades C/Merit. The Selector also checks that any specific entry requirements in terms of Leaving Certificate subjects can be satisfied.
Offers are normally made on the basis of three A-levels. Two subjects at A-level plus two at AS would also be considered. The offer for repeat candidates is set in terms of three A-levels and may be one grade higher than for first time applicants. Grades may be held from the previous year.
Applicants offering two A-levels and one BTEC Subsidiary Diploma/National Extended Certificate (or equivalent qualification), or one A-level and a BTEC Diploma/National Diploma (or equivalent qualification) will also be considered. Offers will be made in terms of the overall BTEC grade(s) awarded. Please note that a maximum of one BTEC Subsidiary Diploma/National Extended Certificate (or equivalent) will be counted as part of an applicant’s portfolio of qualifications. The normal GCSE profile will be expected.
BTEC Extended Diplomas, Higher National Certificates, and Higher National Diplomas can be considered, provided the subject requirements for entry to English are also fulfilled.
The information provided in the personal statement section and the academic reference together with predicted grades are noted but, in the case of BA degrees, these are not the final deciding factors in whether or not a conditional offer can be made. However, they may be reconsidered in a tie break situation in August.
A-level General Studies and A-level Critical Thinking would not normally be considered as part of a three A-level offer and, although they may be excluded where an applicant is taking four A-level subjects, the grade achieved could be taken into account if necessary in August/September.
Candidates are not normally asked to attend for interview.
If you are made an offer then you may be invited to a Faculty/School Visit Day, which is usually held in the second semester. This will allow you the opportunity to visit the University and to find out more about the degree programme of your choice and the facilities on offer. It also gives you a flavour of the academic and social life at Queen's.
If you cannot find the information you need here, please contact the University Admissions Service (admissions@qub.ac.uk), giving full details of your qualifications and educational background.
International Students
Our country/region pages include information on entry requirements, tuition fees, scholarships, student profiles, upcoming events and contacts for your country/region. Use the dropdown list below for specific information for your country/region.
English Language Requirements
An IELTS score of 6.5 with a minimum of 5.5 in each test component or an equivalent acceptable qualification, details of which are available at: http://go.qub.ac.uk/EnglishLanguageReqs
If you need to improve your English language skills before you enter this degree programme, INTO Queen's University Belfast offers a range of English language courses. These intensive and flexible courses are designed to improve your English ability for admission to this degree.
Academic English: an intensive English language and study skills course for successful university study at degree level
Pre-sessional English: a short intensive academic English course for students starting a degree programme at Queen's University Belfast and who need to improve their English.
International Students - Foundation and International Year One Programmes
INTO Queen's offers a range of academic and English language programmes to help prepare international students for undergraduate study at Queen's University. You will learn from experienced teachers in a dedicated international study centre on campus, and will have full access to the University's world-class facilities.
These programmes are designed for international students who do not meet the required academic and English language requirements for direct entry.
Studying for an English and History degree at Queen’s will assist you in developing the core skills and employment-related experiences that are valued by employers, professional organisations and academic institutions. A good degree in English and History is a guarantee that the holder can analyse subjects in depth and develop coherent arguments in written and verbal form. In addition, the subject matter studied is always related to a wide range of contemporary issues, which allows graduates to understand the present in its proper perspective.
Graduates from this degree at Queen’s are well regarded by many employers (local, national and international). In a context where over half of all graduate jobs are now open to graduates of any discipline, we have found that employers of all kinds wish to employ English and History graduates. Although many of our graduates are interested in pursuing careers in teaching, business, the civil service, translating/interpreting or advertising, significant numbers develop careers in a wide range of other sectors. A list of the major career sectors (and some starting salaries) that have attracted our graduates in recent years is shown below:
Advertising,
Librarianship,
Voluntary sector/charities £15,000-£18,000,
Public Relations £20,000,
Banking £28 000,
Export Marketing £15 000-£25 000,
Publishing, Media and Performing Arts £16,000-£25,000,
Teaching £21,500,
Fast Stream Civil Service £25,000,
Translation / Interpreting £18,000-£26,000.
Varied graduate programmes (Times Top 100 Graduate Recruiters/AGR, Association of Graduate Recruiters UK)
Graduate Careers and Achievements
Many of our former graduates have risen to the top of their fields and include many famous figures, for example, in English: Seamus Heaney, Nobel prize-winning poet; Paul Muldoon, academic and poet; Stephen Rea, actor; Annie Kelly, journalist and writer; Annie Mac, radio presenter.
In History: Bill Neely (ITV News Editor); Alan Green (Radio 5 Live).
You should also take a look at the Prospects website for further information concerning the types of jobs that attract English and History graduates. Further study is also an option open to English and History graduates. Students can choose from a wide range of Masters programmes, including the MA in English Literary Studies and the new MRes in Arts and Humanities (with a focus on English or History).
Other Career-related information
Queen’s is a member of the Russell Group and, therefore, one of the 20 universities most-targeted by leading graduate employers. Queen’s students will be advised and guided about career choice and, through the Degree Plus initiative, will have an opportunity to seek accreditation for skills development and experience gained through the wide range of extra-curricular activities on offer.
Degree Plus and other related initiatives
Recognising student diversity, as well as promoting employability enhancements and other interests, is part of the developmental experience at Queen’s. Students are encouraged to plan and build their own, personal skill and experiential profile through a range of activities including recognised Queen’s Certificates, placements and other work experiences (at home or overseas), Erasmus study options elsewhere in Europe, learning development opportunities and involvement in wider university life through activities, such as clubs, societies, and sports. Queen’s actively encourages this type of activity by offering students an additional qualification, the Degree Plus Award (and the related Researcher Plus Award for PhD and MPhil students). Degree Plus accredits wider experiential and skill development gained through extra-curricular activities that promote the enhancement of academic, career management, personal and employability skills in a variety of contexts. As part of the Award, students are also trained on how to reflect on the experience(s) and make the link between academic achievement, extracurricular activities, transferable skills and graduate employment. Participating students will also be trained in how to reflect on their skills and experiences and can gain an understanding of how to articulate the significance of these to others, e.g. employers. Overall, these initiatives, and Degree Plus in particular, reward the energy, drive, determination and enthusiasm shown by students engaging in activities over-and-above the requirements of their academic studies. These qualities are amongst those valued highly by graduate employers.
Degree Plus/Future Ready Award for extra-curricular skills
In addition to your degree programme, at Queen's you can have the opportunity to gain wider life, academic and employability skills. For example, placements, voluntary work, clubs, societies, sports and lots more. So not only do you graduate with a degree recognised from a world leading university, you'll have practical national and international experience plus a wider exposure to life overall. We call this Degree Plus/Future Ready Award. It's what makes studying at Queen's University Belfast special.
1EU citizens in the EU Settlement Scheme, with settled status, will be charged the NI or GB tuition fee based on where they are ordinarily resident. Students who are ROI nationals resident in GB will be charged the GB fee.
2 EU students who are ROI nationals resident in ROI are eligible for NI tuition fees.
3 EU Other students (excludes Republic of Ireland nationals living in GB, NI or ROI) are charged tuition fees in line with international fees.
The tuition fees quoted above for NI and ROI are the 2024/25 fees and will be updated when the new fees are known. In addition, all tuition fees will be subject to an annual inflationary increase in each year of the course. Fees quoted relate to a single year of study unless explicitly stated otherwise.
Tuition fee rates are calculated based on a student’s tuition fee status and generally increase annually by inflation. How tuition fees are determined is set out in the Student Finance Framework.
Additional course costs
In Year 2 students can apply for a number of optional exchanges with institutions in the USA. The cost will vary depending on the institution and length of exchange and can range from £500 - £6,000.
Students who undertake a period of study or work abroad, are responsible for funding travel, accommodation and subsistence costs. These costs vary depending on the location and duration of the placement.
A limited amount of funding may be available to contribute towards these additional costs, if the placement takes place through a government student mobility scheme.
All Students
Depending on the programme of study, there may be extra costs which are not covered by tuition fees, which students will need to consider when planning their studies.
Students can borrow books and access online learning resources from any Queen's library. If students wish to purchase recommended texts, rather than borrow them from the University Library, prices per text can range from £30 to £100. Students should also budget between £30 to £75 per year for photocopying, memory sticks and printing charges.
Students undertaking a period of work placement or study abroad, as either a compulsory or optional part of their programme, should be aware that they will have to fund additional travel and living costs.
If a programme includes a major project or dissertation, there may be costs associated with transport, accommodation and/or materials. The amount will depend on the project chosen. There may also be additional costs for printing and binding.
Students may wish to consider purchasing an electronic device; costs will vary depending on the specification of the model chosen.
There are also additional charges for graduation ceremonies, examination resits and library fines.
How do I fund my study?
There are different tuition fee and student financial support arrangements for students from Northern Ireland, those from England, Scotland and Wales (Great Britain), and those from the rest of the European Union.
Application for admission to full-time undergraduate and sandwich courses at the University should normally be made through the Universities and Colleges Admissions Service (UCAS). Full information can be obtained from the UCAS website at: www.ucas.com/students.
When to Apply
UCAS will start processing applications for entry in autumn 2025 from early September 2024.
The advisory closing date for the receipt of applications for entry in 2025 is still to be confirmed by UCAS but is normally in late January (18:00). This is the 'equal consideration' deadline for this course.
Applications from UK and EU (Republic of Ireland) students after this date are, in practice, considered by Queen’s for entry to this course throughout the remainder of the application cycle (30 June 2025) subject to the availability of places. If you apply for 2025 entry after this deadline, you will automatically be entered into Clearing.
Applications from International and EU (Other) students are normally considered by Queen's for entry to this course until 30 June 2025. If you apply for 2025 entry after this deadline, you will automatically be entered into Clearing.
Applicants are encouraged to apply as early as is consistent with having made a careful and considered choice of institutions and courses.
The Institution code name for Queen's is QBELF and the institution code is Q75.
Additional Information for International (non-EU) Students
Applying through UCAS
Most students make their applications through UCAS (Universities and Colleges Admissions Service) for full-time undergraduate degree programmes at Queen's. The UCAS application deadline for international students is 30 June 2025.
Applying direct
The Direct Entry Application form is to be used by international applicants who wish to apply directly, and only, to Queen's or who have been asked to provide information in advance of submitting a formal UCAS application. Find out more.
Applying through agents and partners
The University’s in-country representatives can assist you to submit a UCAS application or a direct application. Please consult the Agent List to find an agent in your country who will help you with your application to Queen’s University.
