TRINITY COLLEGE DUBLIN
9th Biennial Conference on Baroque Music 

CALL FOR PAPERS

The School of Music at Trinity College Dublin, Ireland, will be hosting the 9th Biennial Conference on Baroque Music from Wednesday 12 July to Sunday 16 July 2000, inclusive.
 
Proposals are invited for:
  1. Individual papers of 20 minutes duration (after each paper, ten minutes  will be allowed for discussion)
  2. Sessions involving three or four papers on a specified area, given by different individuals and lasting not more than one-and-a-half hours including discussion
  3. Round-table sessions of one-and-a-half hours, including discussion
Proposals in any area of Baroque music are welcome.
 
The organisers anticipate that individual papers (1 above) and some sessions with multiple participants (2 and 3 above) will be presented in two or three simultaneous strands, grouped by subject areas. Those areas will be determined largely by the nature of the proposals received.
 
Any individual may submit ONE proposal. Proposals must be submitted as an abstract of not more than 250 words (individual papers), or not more than 350 words (group sessions).
 
Acceptance of a proposal will be at the discretion of the organisers.
 
The abstract should be preceded by information under the following headings: NAME, INSTITUTION, POSTAL ADDRESS, PHONE, FAX, E-MAIL ADDRESS.
 
Abstracts may be
  1. e-mailed to: Martin Adams <BaroqueMusic@tcd.ie>. Attachments (in any word-processing format) are preferred for the text of abstracts, but please back up the attachment with a plain-text version in the main e-mail.
  2. by post to: Dr. Martin Adams, Baroque Music Conference, School of Music, Trinity College, Dublin 2, Ireland. (But please send also an e-mail copy as soon as possible - see 1 above.)
The deadline for the receipt of abstracts is 22 February 2000.


It is intended that a selection of papers given at this conference will be published in a dedicated volume of Irish Musical Studies. (Details to be announced.)
 
Martin Adams

Last updated on 13 September 1999 by Yo Tomita