| Title | Notes | Uploaded |
| Review of the full-score of Bach's B-minor Mass edited by Ulrich Leisinger (Carus, 2014) (PDF) | Published in Bach Bibliography | 26/10/2015 |
| Updated tables of my article ‘Anna Magdalena as Bach’s Copyist’, Understanding Bach, 2 (2007) | Handouts distributed at conference ‘Poets, Mothers, and Performers: Considering Women’s Impact on the Music of Johann Sebastian Bach’, Yale Institute of Sacred Music in 16-18 October 2009 | 02/03/2015 |
| The Well-Tempered Clavier, Book II (PDF) | CD liner note, BIS-CD-1513-4 | 30/07/2012 |
| Bachfest Leipzig 2008 | Review of the world's largest annual festival of music of Baroque music | 14/10/2008 |
| Clavier-Uebung II | CD liner note for BIS-CD-1469 | 16/06/2006 |
| French Suites | CD liner note for BIS-CD-1113-14 | 21/06/2006 |
| Bachfest Leipzig 2005 | Review of the world's largest annual festival of music of Baroque music | 18/06/2005 |
| Bachfest Leipzig 2004 | Review of the world's largest annual festival of music of Baroque music | 10/07/2004 |
| The Online Bach Bibliography (PDF) | Paper read at IAML conference in Tallinn on 8 July 2003 | 13/07/2003 |
| Bachfest Leipzig 2003 | Review of the world's largest annual festival of music of Baroque music | 29/06/2003 |
| The Six Partitas | CD liner note for BIS-CD-1313/14 | 27/10/2002 |
| Clavier-Uebung III | CD liner note for BIS-CD-1091/92 | 10/02/2001 |
| The Inventions and Sinfonias | CD liner note, BIS-CD-1009 | 12/06/1999 |
| Hitherto unknown musical transcription of Psalms in Bach's Well-Tempered Clavier, Book II? The old question revisited | Paper read at Eighth Biennial Conference of Baroque Music, 9 July 1998, University of Exeter | 15/07/1998 |
| Variants of WTC II: Brief Commentary with MIDI | just a biproduct of another research project | 13/12/1997 |
| The "Goldberg" Variations | CD liner note, BIS-CD-819 | 06/09/1997 |
| The Well-Tempered Clavier, Book I | CD liner note, BIS-CD-813/814 | 06/09/1997 |
| Assessing a text-critical database using AI techniques | Paper read at RMA Study Day, 30 November 1996, at King's College, London | 23/03/1997 |
| A new light shed on the origin on Mozart's KV 404a and 405 through the recent source study of J. S. Bach's Well-Tempered Clavier II. | Paper read at British Musicology Conference, 18 April 1996, London (King's College) | 23/03/1997 |